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Part 1 of The Girl Who Kept the Sunset
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2026-05-10
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2026-07-15
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6/?
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The Lace and the Grease

Chapter 6: Candied Apples and Shooting Stars (1/1)

Summary:

The Curtis family only gets one night a year where the world feels gentle enough to breathe in.

This October, Darry's been saving for weeks — not that he'd ever say so out loud — and the fair comes calling with its lights and its sugar and its fragile, temporary magic. Pone walks between her brothers like she has since she was small enough to need carrying, and for a few hours, everything is exactly as it should be. But magic doesn't last, and the world has always had a cruel sense of humor when it comes to girls who just want to exist without being looked through.

Some things you can't save your sister from just by throwing a punch — and some things, she's starting to realize, she might not want you to.

Notes:

Hey, friends. So. This one. This one.

Okay, confession time: I have been thinking about Pone at the Tulsa fair for approximately six months and I am only now brave enough to put it on paper. There's something about the Curtis siblings in autumn that just does things to me — the way Darry plans things he won't name, the way Soda's grin is both armor and invitation, the way Pone is quietly becoming someone her brothers don't quite know how to hold anymore. And they have to learn how. That's the whole story, really. Learning how to hold someone who's changing shape in your hands.

Some headcanons while we're here, because I cannot be stopped:

➢On Darry and money: I am obsessed with the idea that Darry Curtis budgets like it's a military operation. Crumpled bills counted at 2 AM, shoulders hunched like he's guarding state secrets. He would rather die than let Pone know he skipped lunch three days this week so she could have a candied apple. The jacket thing — giving it to her even when he's cold — that's not a one-time gesture. That's a lifestyle. Darry has probably given Pone every jacket he's ever owned. There is a graveyard of Curtis outerwear in her closet and he keeps buying more because "she's more important" is the only math he knows.

➢On Soda and protectiveness: Soda's the one who says things. Darry shows up. Soda speaks. But here's what I think about a lot — Soda's protective streak isn't just big-brother instinct. It's guilt. It's the knowledge that he's handsome and charming and people have always looked at him a certain way, and now they're looking at his baby sister like that and it makes him want to put his fist through a wall. The thing with Jack? That's not new. Soda's been cataloging looks and comments for months, filing them away, waiting for the excuse to snap. Pone telling him to back down? That destroys him a little. In a good way. In a growing way.

➢On Pone and being seen: She feels it, you know? The shift. The way Jack's eyes slide over her like she's a thing instead of a person. And she's angry about it — she is — but she's also exhausted. Because being a girl in 1965 Tulsa means carrying this weight that her brothers can't see, even when they're trying so hard to look. The shooting star wish? I know what it is. I'm not telling you. But it's not about Jack, and it's not about being protected. It's about being free.

➢On the ferris wheel: I wanted them suspended. Above everything. Just for a moment, the three of them, high enough that the house looks small and the problems look smaller. Soda's wistfulness when he says "we're just far away" — that's him realizing she's going to leave someday. That this night, these rides, this closeness — it's temporary. And he's grieving it before it's gone.

➢Also: Darry writes notes. He writes so many notes. There is a drawer somewhere full of folded paper with his careful handwriting, little proofs that he was here, that he cared, that he couldn't say it out loud but he meant it. Pone keeps every single one.

Okay, I'll stop. Read gently. These three have my whole heart.

⚠️ TW:
➣Misogynistic/objectifying language (discussed, not graphically depicted);
➣Implied sexual harassment (a male character makes inappropriate comments about a teenage girl's appearance);
➣Protective/vaguely threatening confrontation;
➣Brief discussion of being watched/objectified as a girl in the 1960s.

Nothing explicit, but the emotional weight of being seen as an object rather than a person is central to the narrative.
Please take care of yourselves.

(See the end of the chapter for more notes.)

Chapter Text

"The Lord is my light and my salvation; whom shall I fear? The Lord is the stronghold of my life; of whom shall I be afraid?"

— Psalm 27:1

I chose this one because it speaks to the heart of what Darry and Soda are trying to do — be a stronghold, be a light, be the reason Pone doesn't have to be afraid — while also whispering the truth they both need to learn: that faith isn't the absence of fear, and protection isn't the same as salvation. Pone is learning to be her own light, too. And that's holy, in its way.


The fair came to Tulsa every October like clockwork, trailing the scent of fried dough and caramel apples through the dusty streets, and for one night every year, the Curtis household allowed itself to forget about bills and gang rumbles and the heavy weight of survival.

Darry had been saving for weeks. Pone knew this because she'd seen him counting crumpled dollar bills at the kitchen table when he thought she was asleep, his broad shoulders hunched over the small pile like a general planning a campaign. He never said anything about it—Darry never said anything about the things that mattered most—but when he'd appeared in her doorway that evening with a worn jacket thrown over his flannel and that particular set to his jaw that meant he'd already decided something, she'd known.

"Get your shoes on," he'd said, and his voice had that gruff tenderness that only ever came out when he was trying to be soft without admitting to it.

Soda had materialized behind him, already grinning, his hair still damp from the shower and curling at the ends. "We're taking you out, little bit. No arguments."

And Pone, who had been curled up with a dog-eared copy of Jane Eyre and a growing sense of loneliness that seemed to settle deeper into her bones with each passing autumn, had felt something warm crack open in her chest. She'd put down her book and reached for her worn sneakers without a word, because some things didn't need saying.

Now, three hours later, the fair sprawled around them in a riot of color and noise and cheap thrills that felt, for a few precious hours, like freedom. Pone walked between her brothers, the way she always had since she was young enough to need holding up, and the rhythm of it was as familiar as her own heartbeat—Soda's restless energy bouncing just ahead, Darry's steady presence like a wall at her back. Darry walked slightly behind her and to her left, his hand occasionally brushing her shoulder to steer her around potholes or clusters of children. Soda was on her right, close enough that his elbow bumped hers every few steps.

She'd already eaten a corn dog and a funnel cake and a ridiculous pink cotton candy that Soda had insisted on buying, and now she was working her way through a candied apple that Darry had pressed into her hands without a word. The caramel was still warm, slightly soft, and it stuck to her teeth in a way that made her smile around each bite. She held it in her right hand, the paper cone warm and slightly greasy against her palm, and her left hand was free, swinging at her side.

The night air was cool against her cheeks, carrying the mingled smells of hay and popcorn and something sweet from the kettle corn stand nearby. Pone wrapped her free hand around the warm paper cone of her apple, feeling the heat seep through the thin material, and let herself just be. Just exist. Just be a girl at the fair with her brothers, where everything was simple and safe and the only thing she had to worry about was whether the caramel would drip onto her sweater.

It was such an ordinary, perfect thing.

And then, because the universe had a sense of humor that bordered on cruel, Jack—one of Soda's rodeo friends, a lanky boy with a cowboy hat and an easy grin—leaned in close to Soda and said something. His voice was pitched low, meant for Soda's ears only, but Pone caught the tail end of it. Not the words themselves, exactly, but the shape of them. The way Jack's eyes slid toward her as he spoke, and the way his grin turned crooked in a way that made something prickle at the back of her neck.

She didn't understand what he'd said. Couldn't parse the syllables into meaning. But she understood the look, and that was enough to make her slow her chewing.

The spot dropped ten degrees.

Soda didn't blink. His posture shifted in a way that was almost imperceptible, a subtle alignment of shoulders and feet that spoke of someone who'd spent his whole life learning to throw a punch and mean it. When he spoke, his voice was flat and quiet—so quiet that Pone, standing right beside him, had to strain to make out the words.

"Try that sentence again. Slower."

Jack's grin faltered. He took a step back, hands coming up in that universal gesture of surrender. "Hey, man, I didn't mean—I was just saying—"

"You were just saying." Soda's voice didn't waver. "About my baby sister. You were just saying how pretty she is."

Pone felt her cheeks warm. She understood now, suddenly, with the clarity that came from a lifetime of being the only girl in a house full of boys. The look on Jack's face, the way his eyes had lingered, the sudden tension in Soda's shoulders—it all clicked into place.

"Don't," she said quietly, and both her brothers turned to look at her. Soda's expression flickered with surprise—he'd been so focused on Jack that he'd momentarily forgotten she was there, processing the threat instead of her presence. But Darry's hand never left her back; he'd been tracking her reaction the whole time, reading her tension like a book. "Soda, it's fine. He didn't mean anything by it."

Soda's jaw tightened. "Pone, you don't—"

"I know what he said." She kept her voice calm, even as her heart beat faster. "I heard enough. And it's fine."

"He called you pretty." Soda's voice was strained. "That's not—"

"Pretty isn't a bad word." She looked at Jack, who was staring at the ground now, the tips of his ears red. "It's just a word. And he's your friend. Don't fight with him over a word."

Darry moved before anyone else could. He stepped in close, his body a solid barrier between her and the rest of the fair, and his hand pressed more firmly against the small of her back, his fingers splaying wide. The warmth of him seeped through the fabric of her sweater, steady and grounding.

"Come on, Pone," he said, his voice deliberately casual, deliberately calm. "Let's see if they got any of those candy apples left by the ferris wheel."

She looked up at him, her mouth full of apple, and nodded. She let him steer her forward, his hand a constant weight against her spine. Behind her, she could hear Soda speaking in a low murmur—not threatening this time, but firm. A quiet conversation she didn't try to catch.


.


The ferris wheel rose above them, its lights strung like Christmas decorations against the bruised purple of the evening sky. Pone tipped her head back to look at it, her candied apple still in her right hand, and felt her chest expand.

"It's beautiful," she breathed.

Darry was still tense beside her, his eyes scanning the crowd in that way he had, that constant vigilance that never quite left him. But at her words, his expression softened. He looked down at her, at the wonder written across her face, and she could feel the way his protective stance eased just slightly.

"Yeah," he said, and his voice had that rough tenderness again. "It is."

Soda caught up with them a few minutes later, his easy grin back in place like he'd never lost it. But Pone noticed the way his knuckles were white where his hands were shoved into his pockets, the way his jaw was set just a little too tight.

"You okay?" she asked, her voice soft. She was still gnawing at her apple, her cheeks round and full as she worked at the sticky caramel.

Soda blinked, and then his grin became real. He reached out and ruffled her hair, his fingers tangling in the dark strands that were so much like his own. "Yeah, baby. I'm fine. Just got a little tired of listening to Jack run his mouth, is all."

"Jack's nice," Pone said, frowning. He'd always seemed friendly enough, even if the look he'd given her had made her stomach turn. "He didn't mean to—"

"Don't." Soda's voice was gentle but firm. "Don't make excuses for him, Pone. Not for that."

She opened her mouth to argue, then closed it again. Something in his expression stopped her. There was a weight there she didn't fully understand, a history she wasn't part of.

"Did he say something else?" she asked quietly. "Before tonight? Something I should know about?"

Soda's face flickered, and that was answer enough.

"Soda."

"Pone, just—" He ran a hand through his hair, looking away. "There's been stuff. Little stuff. Looks, comments. Nothing I couldn't handle. But tonight, when he said that right in front of me like it was nothing..." He shook his head. "It made me think about all the times I didn't hear it. All the times you were walking home alone, or I wasn't there to see."

Darry's hand tightened on her back.

"I don't want you to worry about that," Soda continued. "That's my job. That's why I'm here. But I need you to understand that when someone says something like that—when they look at you like that—it's not nothing. Not to me."

Pone was quiet for a long moment. Then she reached out and took his hand, her fingers cold against his.

"I understand," she said softly. "I don't like it either. But I don't want you fighting my battles for me."

"You're not fighting them alone," Darry said from behind her. His voice was firm, brooking no argument. "That's not how this family works."

She looked between them, her brothers, these two boys who had raised her when they were barely more than children themselves. Soda with his restless energy and easy grin, Darry with his steady strength and hidden tenderness. They'd given up so much for her. They'd never said it, never made her feel like a burden, but she knew. She knew.

"Okay," she said finally. "Okay."

The ferris wheel was older than any of them, its paint chipped and peeling in places, its joints groaning with the effort of carrying riders high above the fairgrounds. But there was something magical about it anyway, something that made Pone's heart beat faster as they climbed into the rickety basket and settled onto the worn wooden seats.

Darry sat on one side of her, his long legs folded awkwardly in the cramped space, and Soda sat on the other. As the basket swayed and began to rise, Soda slung his arm across the back of the seat behind Pone's head—a casual, proprietary gesture that left his fingers brushing her shoulder through Darry's jacket. Pone leaned forward, pressing her face against the metal bars, and her candied apple came with her, held loosely in her right hand where it rested on her knee.

The lights were like scattered jewels against the dark, and the music from the different rides blended into a single, chaotic melody that somehow made perfect sense. She could see the whole world from up here—or at least, the whole world that mattered. The dusty streets of their neighborhood, the familiar shapes of buildings she'd known her whole life, the distant outline of the church where she sometimes went to sit and think.

"Look," she breathed, pointing with her left hand. "You can see our house from here."

Darry followed her gaze, leaning slightly forward so he could see past her. "Yeah," he said softly. "You can."

Soda leaned in as well, his chest pressing against her shoulder, his arm tightening around the back of the seat. "It's so small from up here," he said, and there was something in his voice that Pone couldn't quite identify. Something almost wistful.

"It's the same size," she said, frowning. "We're just far away."

Soda laughed, but it wasn't his usual laugh. It was quieter, more thoughtful. "Yeah," he said. "I guess we are."

The ferris wheel carried them higher, past the midway, past the tallest tents, until they were suspended at the very peak—just for a moment, a breath held in the cold October air. And then, in that perfect pause, Pone saw it: a streak of light against the dark, gone as quickly as it had appeared.

"I saw a shooting star," she breathed. "Did you see it? Right at the top, when we were the highest."

Soda looked at Darry, and something passed between them—the same understanding, the same weight.

"Nah," Soda said, squeezing her hand. "Must have missed it. What'd you wish for?"

Pone's expression turned secretive, her smile soft. "If I tell you, it won't come true."

"Then don't tell," Darry said, reaching over to tuck a strand of hair behind her ear. His calloused fingers were gentle against her skin, brushing the curve of her cheek. "Just make sure it's a good one."

"It's the best one," she said, and there was so much trust in her voice, so much faith, that Darry felt his heart crack open all over again.

The ferris wheel began its descent, and Pone pressed her face against the bars again, watching the ground rise up to meet them. When they reached the bottom, the attendant opened the gate with a bored expression, and Pone climbed out, still buzzing with the joy of the ride, and immediately reached for Soda's hand.

The night was getting colder now, the fairgrounds beginning to empty as the hour grew late. Pone was starting to shiver, her thin jacket inadequate against the October air, and Darry noticed immediately.

"Come on," he said, shrugging off his own jacket. "Put this on."

"But you'll be cold," she protested, even as she let him wrap the worn leather around her shoulders. It was too big, the sleeves hanging past her fingertips, but she didn't care. It smelled like him, like leather and sweat and home.

"I'll be fine." Darry's hand lingered on her shoulder a moment longer than necessary, his thumb pressing gently against the leather of the jacket. "You're more important."

Pone smiled up at him, her eyes crinkling at the corners. "You always say that."

"Because it's always true." He pulled her close, his arm around her shoulders, and she leaned into him without hesitation.

Soda moved to her other side, his hand finding hers in the dark. "Let's go home," he said. "I'm tired of this place anyway."

They walked through the emptying fairgrounds, a strange little trio, and Pone let herself be led. She was warm now, between them, their body heat seeping into her through Darry's jacket and Soda's closeness. She was safe. She was loved. She was exactly where she was supposed to be.

Behind them, the ferris wheel continued to turn, its lights still bright against the dark.


.


Back at the house, Pone was almost asleep on the couch, her head pillowed on Soda's lap. He was sitting at one end of the worn sofa, his back against the armrest and his legs stretched out along the cushions, and she was curled against him like a cat seeking warmth. Her feet were tucked up beside his hip, her fingers loosely curled around the fabric of his shirt, and her eyes were half-closed, drifting.

Darry had gone to make hot chocolate, and the sound of him moving around the kitchen was familiar and soothing. The mugs were already on the coffee table—a low, scratched thing that had been in the house longer than any of them—steaming and waiting.

Soda ran his fingers through her hair, slowly, gently, and watched her eyelids flutter.

"Hey, baby," he said softly. "Wake up. You gotta drink something before you go to bed."

"Mm." She didn't open her eyes. "Five more minutes."

He laughed, but it was a soft laugh, full of love. "You always say that."

"Because it's always true."

She'd inherited that from him, he thought. The ability to throw his own words back at him. He smiled down at her and kept stroking her hair.

Darry came in and settled into the armchair across from them, the leather creaking under his weight. He reached forward to pick up his mug from the coffee table, wrapping his hands around the warm ceramic, and watched them for a moment. Watched Soda's careful hands and Pone's peaceful face, and he felt something unwind in his chest.

"She heard it tonight," Soda said, his voice low. "She knew exactly what he meant. She told us to back down, and she meant it. She's not as fragile as you think."

"I know she's not." Darry took a sip of his hot chocolate, letting the warmth settle in his chest. "That doesn't mean I want her to have to prove it."

"She's growing up," Soda said quietly. "I don't like it. But it's happening."

Darry nodded, his eyes still fixed on her face. "I know. It just... it happened so fast. One day she was this kid who needed me to carry her home from school, and now..." He shook his head. "Now she's telling me not to fight her battles for her."

"That's a good thing," Soda said, even though the words tasted bitter in his mouth. "That's what we wanted, isn't it? For her to be strong?"

"We wanted her to be safe." Soda's voice was fierce. "Safe is different from strong."

"Maybe they're the same thing," Darry said quietly. "Maybe you can't have one without the other."

Pone stirred, her hand reaching out blindly until it found Soda's.

"Love you," she mumbled, still half-asleep.

Soda's expression softened, all the tension draining out of him. "Love you too, baby."

"Love you both," Darry added, the words directed at both of them, a quiet benediction.

Pone smiled, a tiny, sleepy smile, and then she was asleep again, her grip on Soda's hand going slack.

Soda looked at Darry across the room, and something passed between them—the same promise they'd been making to each other for years now. They'd made it first in a hospital corridor, two scared boys holding onto each other because there was no one else left. They'd made it again in the silent moments after the funeral, and in the long nights when the bills piled up and the future looked dark. Tonight, they made it again.

She was everything. And they would always protect her.

The night stretched on around them, peaceful and quiet. After a while, Darry set down his mug and crossed to the couch, bending to gather Pone into his arms. She was light—lighter than she should be, he thought, for all the food they'd fed her—and she didn't stir as he lifted her, her head falling against his chest. He carried her to her room and laid her gently on the bed, pulling the covers up to her chin. Then he stood there for a long moment, watching her breathe, before he went to find a pen and paper.

Soda found him at the kitchen table twenty minutes later, the note already written and folded, a quiet scratching sound the only evidence of what he'd been doing.

"Couldn't sleep?" Soda asked, leaning against the doorframe.

"Just wanted her to have something to wake up to," Darry said, his voice gruff. "Something normal."

Soda nodded, understanding. They'd learned, over the years, that normal was the most precious gift they could give her. And sometimes, that meant little things—notes on the nightstand, breakfast waiting, a jacket that smelled like home.


.


Pone woke to the smell of bacon and the sound of Soda singing in the kitchen. She was in her own bed, she realized, with Darry's jacket still draped over her like a blanket. She sat up slowly, rubbing her eyes, and saw a note on her nightstand in Darry's careful handwriting.

Breakfast is at 9. You can sleep longer if you want. -D

She smiled, folding the note carefully and tucking it into her pocket. She remembered, dimly, the feeling of being carried—Darry's arms strong and sure, the scent of him close, the careful way he'd laid her down.

She padded into the kitchen, still in her pajamas, and Soda looked up from the stove with a grin. "Hey, sleepyhead. Sleep good?"

"Yeah." She yawned, making her way to the table. "What're you making?"

"Bacon and eggs. Darry's already at work, but he said to make sure you ate."

She nodded, settling into her chair. The morning light was streaming through the window, golden and warm, and for a moment, everything felt perfect.

Soda slid a plate in front of her, then sat down across from her with his own. "So," he said, his tone deliberately casual. "Did you have fun last night?"

"Yeah." She took a bite of bacon, chewing thoughtfully. "The ferris wheel was my favorite."

"Mine too," he said, and his smile was genuine. "Mine too."

She looked at him, really looked, and saw something in his eyes she couldn't quite name. Something soft and fierce and full of love.

"What?" she asked, frowning. "Why are you looking at me like that?"

Soda hesitated. She could see him trying to decide what to say, could see the weight of the night before still sitting on his shoulders.

"I'm proud of you," he said finally. "The way you handled yourself last night. Telling us to back off. You were right, and I... I didn't want to admit it, but you were right."

Pone blinked. "I just didn't want you to fight because of me."

"I know." Soda reached across the table, his hand covering hers. "And that's exactly why I'm proud of you. You don't want to be the reason someone gets hurt. Even when they deserve it."

She thought about Jack, about the look on his face, about the way her stomach had turned. She thought about Soda's fists, about Darry's protective hand on her back.

"I don't like it," she said quietly. "When people look at me like that. It makes me feel like... like I'm not a person. Just something to look at."

Soda's hand tightened on hers. "I know, baby. I know."

"But I don't want you to fight for me." She lifted her eyes to his. "I want to learn how to fight for myself."

Soda looked at her for a long moment. Then, slowly, he smiled—a real smile, not his usual grin, but something softer and more genuine.

"Okay," he said. "We'll figure it out. Together."

"Together," she agreed.

She picked up her fork and took another bite of bacon, and the moment passed. But something had changed between them, some shift in the landscape of their relationship that she couldn't quite define. She felt older, somehow. More grown. Like she'd taken a step toward something she couldn't see yet.


.


The morning stretched on, warm and golden and full of promise. Soda went out to meet some friends, and Pone curled up on the couch with her book, the worn pages familiar beneath her fingers.

She tried to read, but her mind kept drifting back to the night before. To the ferris wheel, and the lights, and the way her brothers had surrounded her like she was something precious. To the shooting star, and the wish she'd made—a secret she'd carry with her always.

She thought about Jack, about the look in his eyes, and for the first time, she let herself feel the anger she'd suppressed last night. Not at Jack, exactly, but at the world that had taught him it was okay to look at her like that. At the world that had taught her brothers they had to protect her from it.

It was exhausting, she thought. Being a girl. Being watched. Being wanted in ways that had nothing to do with who she actually was.

But she was still here. Still reading her book, still breathing, still living in this house with her brothers who loved her more than anything. And that was something.

She looked up at the window, at the autumn light streaming through, and smiled.

It was a good day. And that was enough.

And somewhere, in the quiet spaces between heartbeats, the love that held their family together pulsed steady and strong.

Notes:

Oh, you're still here. Hi.

Did you catch it? The moment where everything shifts? It's not the Jack thing — that's the catalyst, sure, but the real earthquake happens at the breakfast table. When Pone says "I want to learn how to fight for myself" and Soda doesn't argue. He just says "okay." That "okay" cost him something. You can see it in the text if you look close enough — the way his smile is "real" instead of his usual grin, the way he reaches across the table like he's anchoring himself. Sodapop Curtis has spent his whole life being the charming one, the funny one, the fast one. But growth? Growth is slow, and it hurts, and he's doing it anyway because she asked him to.

More headcanons, because I have no self-control:

➣On the note Darry writes: I didn't show you what it said. I know what it said. It was probably something like "Pancakes tomorrow if you want. The good kind. -D" because Darry Curtis cannot be emotionally vulnerable without immediately offering food as a distraction. But also? There was probably a PS. Something small. Something like "I'm proud of you" or "You handled yourself well" that he almost crossed out six times. He didn't cross it out. She has it in her pocket right now, folded small, pressing against her hip when she walks.

➣On Soda's singing: He sings when he's happy. He sings when he's nervous. He sings when he's trying to pretend last night didn't happen. This morning? All three. Pone knows. She doesn't call him on it because that's not how they work. She just eats her bacon and lets him have his performance, and they both pretend it's normal until it becomes normal. That's love, I think. Letting someone sing through their feelings.

➣On the jacket: Darry's jacket still smells like the fair — cotton candy and diesel and October air. Pone's going to wear it to school on Monday. Darry's going to see her in the hallway and his chest is going to do that thing where it gets tight and he can't breathe for a second. He's not going to say anything. He's just going to nod, and she's going to nod back, and that's going to be their whole conversation about it. That's their love language. Nods and jackets and notes on nightstands.

➣On what comes next: Jack's not done. I don't know if I'll write that story — maybe I will, maybe I won't — but he's not done. And Pone's going to have to face him again, probably without her brothers there to step in. But now she knows something she didn't know before. She knows they'll listen if she asks them to back down. She knows she has room to become someone who fights her own battles. That's not nothing. That's everything.

➣On the shooting star: Fine. I'll tell you. She wished for more nights like this. Not the fair specifically. Not even the magic. Just... the feeling of being held between them, safe and seen and enough. She knows it's greedy. She knows you can't wish for more of something that's already temporary. She did it anyway.

Thank you for reading this far. If you felt even a fraction of what I felt writing it, then I've done my job. Leave a comment? I read every single one, and they keep me going on the days when the words won't come.
Stay cozy out there.
Make yourself some hot chocolate.
Call your siblings if you've got 'em.

Notes:

You made it! You're here! If you're reading this, I either succeeded or you're very polite and I appreciate you either way.

Real talk for a second: this fic was supposed to be 2,000 words max. A little slice-of-life moment, in and out, no emotional damage. And then Darry looked at a chipped coffee cup and I blacked out and woke up to 4,000 words of feelings. The muse is a menace and she does not respect my boundaries.

A few thank-yous, because I am physically incapable of shutting up:

➤ To everyone who read the first draft and said "this is good but where's the rest of it"—you were right and I hate you. To the Discord group chat who listened to me rant about 1960s Tulsa church social dynamics for three hours: I'm not sorry. To Mrs. O'Brien, who arrived fully formed and broke my heart without asking permission: how dare you.

Some questions I'm still chewing on (and would LOVE to discuss in the comments, please come talk to me, I am lonely and opinionated):

➤ Does Pone grow up understanding what she means to them? Or does she just grow up loved and never fully grasp the weight of it? Which is better?

➤ Soda's restlessness—does he ever outgrow it, or does he just learn to channel it? Does he become the kind of uncle who shows up with glitter and chaos, or the kind who sits quietly and lets kids climb on him like furniture?

➤ Darry. Just... Darry. Does he ever stop reaching for the coffee cup? Does he find a new one? Does he learn that holding on and letting go aren't opposites?

I have sequel ideas. I have prequel ideas. I have a whole document titled "PONE UNIVERSE LORE" that is frankly embarrassing. If you want more of this, let me know. If you don't, lie to me so I can justify writing it anyway.

Also: if this made you think of your own siblings, or the people who raised you, or that one adult who saw you struggling and said "I've been there, and you're doing better than you think"—good. That was the point. Go tell them you love them. Or think about them fondly. Or write them into a fic. That's what we do here. We turn love into words and hope it reaches someone who needs it.

Okay NOW I'll stop talking. For real this time. Maybe.

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