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The first time Callum was introduced to the concept of elvish pigment was, ostensibly, by Rayla’s skin. He’d noted the marks under her eyes in the same hurried, panicked glance that picked out the horns, the ears, the alarming points of the weapons in her hands…
He wondered about them, of course, but in the first frantic two weeks of their acquaintance, there really wasn’t a lot of time to ask about it. Not until the Storm Spire, when he sat mulling over the flight-runes on Ibis’ wings, and how they might have come to be there.
“…So, I’ve been wondering,” he said to Rayla, apropos of nothing, while she was tending to her equipment. She looked up as he began to speak, the armour momentarily forgotten. “Those…markings you have, the ones on your face—and the ones a lot of other elves seem to have—what are they?”
She blinked, and for a moment, her fingers rose to her face, as though only just remembering the marks were there. “They’re pigment?” She offered, squinting at him a little. “…Is that a trick question, or…?”
“No, really, I have no idea what they are.” He assured her. “I was never sure if they were tattoos, or…weird elf birthmarks, or something. But—pigment? Does that mean it’s like…ink? How do you get them on?” Tattoos, as he understood them, involved needles. He hoped elven pigment didn’t involve needles.
For a moment, Rayla stared at him, looking decidedly nonplussed. “You…paint them on?” She offered, still thrown. “With a brush? And then they stay there for a while. Half a year, maybe. Depends on how good your pigment is.”
“Huh.” Callum mused. For a moment, he was tempted to press further, to ask about the intricacies of various pigments and the application thereof…but he’d been asking for a reason, after all, and his attention remained there.
If they were painted on...then that boded well. That meant that it was something that he could do, if only for the presence of the pigment and a brush.
It wasn’t much later that, after a guilty rummage through Ibis’ things, Callum stood at the pinnacle of the Storm Spire and painted flight-runes onto his skin. That was his first true introduction to the pigments of elves. As an artist, he couldn’t help but marvel at it. The pigment was white, yet it entirely obscured the darker colour of his skin with only a single, easy stroke. Only one layer, and it was solidly opaque. It glowed a little—then settled utterly dry, clean, and steadfast upon his arms.
For a moment, he spared a thought to wish that his paints could be like that. He’d dabbled in every form of art medium he could get his hands on over the years, and he’d never worked with any pigment like this one. It would be gorgeous to paint with.
But then he was too distracted trying to fly to think about art any longer, and that was the last mind he paid to pigment for a while.
*
After the battle of the Storm Spire, he prevailed upon the use of a finer, neater brush, and filled in the edges of his flight-runes until the shape of each was perfect and immaculate. Ibis watched him with a critical eye, and nodded.
“The spell will come easier if the runes are tidy.” He said, approvingly. “You’ll need to re-apply the pigment every three months. Any longer than that and it will begin to fade—which isn’t so great an issue when the marks are merely aesthetic, but with runes…”
“I can see how you wouldn’t want these fading, no.” Callum said ruefully, and accepted the little bottle of white pigment with a murmur of gratitude. He tucked it into his things for the next time he and Rayla went travelling, and she smiled at him.
“Packing your pigment for the journey, Callum?” She remarked, a little teasing. “Think we’ll be gone that long, do you?”
He laughed, and shrugged, glancing down at one of his arms. “I guess it’s just in case, really. I shouldn’t need to touch them up again for months, but…you never know. Wouldn’t want to end up flightless for some reason.”
“I suppose you are a tad obsessed with flying, now.” She agreed, as if she wasn’t always finding excuses for him to sweep her up into the sky for another flight. She reached out, absentminded, and trailed a fingertip around the curve of one rune with the trace of a smile on her lips. “Still, if it came down to it, you could always borrow mine.”
He glanced up at her, startled. “Your pigment?” He checked, eyes settling on the marks beneath her eyes. “I didn’t know you had any with you.”
“I don’t. Need to pick some up from Ethari, when we visit.” She said, succinctly, and he supposed that was another reason for their stopping at Silvergrove on the way to Katolis. How long had it been, since she last refreshed her pigment? Did she need to do it again soon, or was she just planning for the future?
He stared at her for a moment, contemplating her, feeling his heart flutter with a familiar warmth. If her markings had faded at all since he met her, it wasn’t immediately obvious to him. They looked as clear and lovely as ever; a natural part of her face. It was strange to think of what she might look like without them.
Rayla eyed him, when he’d stared a little too long and smiled a little too softly, and huffed at him. Her cheeks pinked a little, the colour darkening her markings. “What are you looking at?” She muttered to him, a touch self-conscious. Rather than look away, he smiled at her all the wider, and captured the hand she had on his arm to plant a kiss on its fingers.
“You.” He said, very contentedly, and watched with pleasure as her face coloured and her fingers twitched beneath his touch.
“Dumb prince.” She sighed, a smile spreading unbidden and affectionate across her lips. It was beautiful, so of course he kissed that too. He felt the widening of that smile against his mouth, and lingered there for as long as she’d let him before she prodded him away to finish packing.
She gave his arms a strange look, though, when he next bared them. Appraising, almost, with a narrow-eyed sort of consideration. “…What?” He asked, when she’d been staring long enough to warrant the question.
“Your runes are…neat.” She said, tone as considering as her eyes. “Tidy.” She shook her head then. “I guess I shouldn’t be surprised, with all the art you do. Of course you’d be good at painting skin-pigment.” He eyed her, because there was clearly more to this observation than just surprise that he’d managed some tidy brushwork, but all she said when he asked was “It’s nothing. Don’t worry about it.”
He didn’t believe her, obviously. Not with the way she kept shooting half-considering looks at him when she thought he wasn’t looking. But he didn’t press her, and she didn’t mention whatever was on her mind. In time, he forgot about it.
Until they were back in the Silvergrove.
*
Rayla asked Ethari, and within the minute he was pressing a small dark bottle and a fine brush into her hands. “I did wonder if you needed any.” He said, as she turned the glass over and the indigo liquid swirled around within. “It’s been a while, hasn’t it?”
“Yeah,” She agreed, pocketing the vial and the brush both. “It’ll start fading soon. So…thanks.”
He nodded at her, all warmth and familial affection. “Not a problem. Did you want me to help with that while you’re here?”
She hesitated, then, and for a moment…for a moment, her eyes slid to Callum, who’d been watching them idly over the top of his sketchbook. “…I’m good.” She settled on, eventually, and if there was anything particularly knowing about Ethari’s smile then, Callum didn’t notice it.
He kept drawing, content in that she was content, and happy to be in her home under happier circumstances than the first.
But then, later: “I wanted to ask you something.” Rayla said, abruptly, when it was just the two of them in what was ostensibly her childhood room. It had been adapted over the years for a growing teenager, but still maintained hints of the past lingering within its walls. He spotted a child’s doodle of a shadowpaw etched into the grain of the dresser, and suppressed a smile.
He turned to her, eyes crinkling a little at the thought of a tiny rambunctious Rayla who scrawled over the walls and furniture. “Yeah?” He responded, a little distracted, as he wondered if there were perhaps any baby or childhood portraits in residence somewhere. He should ask Ethari. If there were any to be found, surely he’d know.
That distraction fled the instant she spoke. “Will you paint my pigment for me?” She asked, directly, and his eyes shot to her at once. At his expression, she added, “You don’t have to. But it needs doing soon, or it’ll start fading faster.” She paused, looking a little more tentative as she said, “If you don’t want to, Ethari can—”
“No,” he blurted, clumsy, then scrambled to say “I mean, yes, I mean—I mean I’d like that. To help. To, er. Paint your pigment on.” He felt his face heat, in part from how he’d stumbled over the words, and in part because…well. He might not know a lot about elven pigment and elven markings, but he was fairly sure that they were…personal. That painting someone’s markings for them was personal.
His reply settled her, and she huffed, lips twitching with familiar fondness. “…Good.” She said, in the end, and surprised him by leaving the room without further word. He blinked after her, uncertain whether he was supposed to follow, but then she returned a bare few moments later with a towel and a wet cloth that she was already wiping her face with.
“Er,” he offered, perplexed, as she dried her face off and set the towel and cloth both down. He didn’t understand until she plucked the bottle of pigment from her dresser and pressed it into his fingers. “Now?” His voice was something of a squeak, and she rolled her eyes.
“When else?” She asked, procuring a brush and giving him that too. “We’re setting off tomorrow. Now’s best.” She paused. “…That okay?”
Her voice had gone tentative again, and his chin jerked up, fingers tightening around brush and bottle as if worried she’d take them away. “No, yeah, it’s okay,” he assured her, and then laughed, a little nervously. “I just…wasn’t expecting it.” He cleared his throat, and took a closer look at the brush. It was like the one he’d filled his own runes in with, fine and delicate and short enough that it didn’t seem liable to flick off in weird directions. “…So I just…paint this onto your face?” He asked, after a moment, feeling his cheeks heat for reasons he couldn’t quite put to words. It felt special, in a way that was hard to describe.
“That is how it works.” Rayla answered, dryly, and then tugged him by the rune-adorned arm until they were both sitting on the floor, towel and cloth at close remove. He supposed those were there in case of spillages, though considering how quickly elvish pigment took hold, he wasn’t sure how much good a towel would do. He wondered if there was some sort of solvent, magical or otherwise, that was up to the task of dissolving pigment like this.
“What happens if I make a mistake when I’m putting your pigment on?” He wondered aloud, only half directing it at her. “Do you just have to walk around with it on your face for months?”
She snorted, and shook her head. “Nah. There’s pigment-remover for that.”
A little tension eased from his shoulders. “Oh, good,” he sighed, relieved. “That’s much less pressure, then.”
She rolled her eyes again. “Just paint my face, Callum.”
He chuckled at her, a little nervously, and uncapped the bottle. The liquid inside was so much darker than the pigment he used, and bizarrely true in its colour. Usually, inks tended to look much darker than their actual colour when they were in the bottle. It was only when you painted them onto a page that you could see how light and bright they were. This, though…it was just solid, liquid indigo, as if someone had distilled the concept of the colour of Rayla’s markings and spilled it into a bottle. “This would be amazing to paint with.” He murmured, somewhat distractedly, watching the pigment shimmer in the low light.
Rayla didn’t answer that, which was unusual enough that his eyes darted to hers, and found her looking strangely thoughtful. She shook her head, though, as if to dispel some thought, and started giving the pigment bottle and the brush some very meaningful looks. He laughed, softly, and obeyed the unspoken command; he dipped the brush in, drained off the excess, and then lifted it. It was dyed the same solid, true indigo—a colour that he was about to put onto her skin.
It hit him then, or at least started to; he looked between the brush and her face and felt his breath catch at—at something. It felt a little like panic, a little like wonder, a little like the breathless infatuation she always managed to inspire in him. For a moment, he didn’t know what to do with it, and just…stared at her, heart beating wildly at—at the trust, and the honour, that he couldn’t help but feel she’d given him.
She was looking impatient by the time he finally moved, and likely would have spoken if not for how he shuffled closer, until their knees were touching. Her mouth closed, watching him, eyes settling on his own as he reached towards her. His fingers brushed the edge of her jaw, feather-light, as tentative as he always was when he remembered that someone as amazing as her had deigned to be with someone like him. His breath caught in his throat as he lifted his hand, thumb tracing tenderly along a cheek that warmed beneath his touch.
He cupped her face in his hand, then, unable to resist the impulse, and she leaned into it without even thinking. Her eyes fell half-lidded for a moment, the smallest smile twitching at the edges of her lips, and he wanted to kiss her. That wasn’t what he was supposed to be doing, but—but he wanted to, and she was smiling at him, and her eyes were soft and warm in the quiet and low light of the room—
So, he kissed her, and she huffed an amused breath against his lips, lifting a hand to trail affectionate fingers along the side of his neck. “This doesn’t feel like face-painting to me.” She murmured to him, fond and teasing at once, and he wouldn’t have been surprised for a moment if his heart stopped beating for the strength of how much he loved her. “Weren’t you supposed to be doing something?”
He laughed, a little breathless, and the warmth of it spilled between them. “Yeah.” He agreed, helplessly, drawing back with her fingers still warm on his neck and his hand still cupped to her cheek, and paused for a moment to treasure the sight of her looking at him like that. He couldn’t believe how lucky he was that she loved him. He didn’t think he’d ever believe it. “I’ll just…get on that.”
She withdrew her hand, and watched him. Waiting.
His fingers shifted on Rayla’s face, moving to press his thumb gently to the side of the marking under her left eye. Pulling at the skin, ever-so-slightly, to allow for painting it more evenly. Another urge struck him, but this time he suppressed it. He could kiss her cheek-markings later. For now, he was supposed to be painting them. And so…
With an almost reverent care, he lifted the tip of the brush to her face, hovering just above her skin with a heady mixture of breathless wonder and breathless trepidation. He exhaled, softly, and felt her eyes upon him. Watching, warm and fond and expectant.
Finally, with the utmost care, he touched the brush to her skin.
She flinched a little at the touch so close beneath her eye, but he’d expected that. He held the brush steady and traced a slow, perfect line down her cheek, along the edge of the extant marking, like a dark border to the fading colour. And it was fading; he could see that now. It wasn’t noticeable on its own, but with the contrast of the fresh pigment beside it, it was fully obvious that the old colour had begun waning.
With the brush to her skin, Callum’s hushed awe fell in step with the breadth of his skill and practice. He’d never put brush to someone else’s skin before, but that did nothing to diminish his skill. He knew brushwork, and he knew the delicacy needed for fine detail, and…and, in the end, this was easy. Just tracing around an existing marking, and filling it in. There could be nothing easier.
He drew the pigment across her skin in smooth, effortless lines. He traced the borders of her marking and then filled it in, up until when the brush began to run empty, and he had to go for the bottle again. The colour settled fast, immediate, and perfect upon her face, with that gorgeous fidelity he’d never seen in any other pigment or paint or ink in all his life. It was a pleasure to use it, and all the more that he was using it for this.
Callum fell half into an artist’s trance for the remaining minutes it took to finish. He filled the left marking in, stark and perfect, then shifted his fingers tenderly to her other cheek, and repeated the process. When he was done, there was nothing but perfect lines and perfect colour upon a face that he loved.
He smiled, small and satisfied, and set the brush aside. “Done.” He murmured, and leaned forward to press his forehead to hers, cradling her face in both hands. It felt strange, to risk touching her skin when he’d only just painted it. But that was the wonder of elvish pigment; it dried the moment it was applied, and permitted no possibility of smearing whatsoever. He stroked his thumbs beneath her eyes and felt more happy, more tender, more loving than he’d ever known. “Perfect.” He murmured, reverential, the words meant for more than the pigment.
Her eyes blinked across from his own, and he loved them. Loved her. She brought her arms up and drew him closer, one hand splayed on the back of his neck. “Maybe I’ll have you do me some new markings, someday.” She murmured to him, in the end, a small and secret smile at the edges of her lips. He stared at her, spellbound, for the three beats of his heart that lingered between her smile and her movement. She leaned in and closed the meagre distance between them, the kiss soft and sweet and all the more perfect for how dearly he adored her.
He imagined, for a second, drawing that ink-brush again along her skin. Imagined it between her fingers, along her arms, casting indigo whorls about her shoulders. He thought of new pigment, new markings, and the sheer delight of being the one who got to put them there. His heart fluttered. “I’d like that.” He said, against her lips, and she kissed him again.
“Good.” When she drew back, the markings were still stark and beautiful beneath her eyes, where he’d painted them. The sight of them left him a little breathless, even now, unable to shake the sense that he’d been afforded an enormous privilege, a gift of worth beyond measure.
Someday, he hoped, she’d afford him that gift again.
*
Callum saw the fruits of Rayla’s thoughtful consideration and furtive glances a while later, when July came around and he was startled from thinking about her birthday by the arrival of his own. She cornered him with palpable satisfaction, and gave him a parcel that she very clearly expected him to be delighted with.
She wasn’t wrong.
He unveiled an array of small bottles; thirty-six hues of true and perfect elvish pigment, distilled for the purpose of painting. He beheld them all with a nearly breathless joy, finding the little parcel of pigment-brushes, the bottle of solvent, the masking-fluid….
“You like it?” Rayla asked, with a broad and decidedly smug smile on her face. She clearly already knew the answer.
“I love it.” He pronounced, and set at once to trying them out.
The very first thing he painted was her. She watched him, and huffed as she saw the familiar lines of her own face taking form on the page, pleased and exasperated all at once. She never did seem to understand why he drew her so often, but that was okay. And, with these pigments…
The colours were spectacular, brighter and more intensely pigmented than anything he’d ever seen. He found himself utterly swept away in the delight of using them, and hours later, emerged from his artist’s trance to the completed work: Rayla in the early evening of the Silvergrove, her hair and eyes gleaming softly with the gentle illumination of the lights and moon-moths around her. It was one of the finest works he’d ever produced, and at the sight of it, he concluded the process of falling helplessly in love with Elvish pigment.
Rayla, for all her embarrassment at being painted, seemed to approve of it too. “You picked that up quickly.” She noted, handling the edges of the thick paper with the delicate care it deserved.
“These pigments are my new favourite thing.” He declared, arranging the bottles a little more tidily beside him. His eyes rested, a little consideringly, over another wide sheet of paper. He stared at it for a long while, growing quiet and solemn, and eventually reached out to take it.
He had his birthday traditions to observe, after all.
The second thing he painted with the elven pigments was his family portrait, atrophied and truncated by tragedy. There was no Sarai there, and hadn’t been for years. No Harrow, and that was a new pain. He felt the ghosts of their absence in the lines he didn’t draw, in the colours that never fell upon the page, in the voids of grief that they left in his life.
But there were new faces now, too.
With quiet, exquisite care, he drew himself. He drew Ezran, older now, wearing a mantle that had come for him too soon. He drew Bait in his brother’s arms. He drew Aunt Amaya. And, tenderly: he drew Azymondias and Rayla. The outlines took form, and as the hours passed, elvish pigment filled them in.
In the end, he had his family portrait again. Changed, and echoing with its empty spaces, but…
Quiet, from her place beside him, Rayla slipped her hand into his own.
“Come on,” She said, with the small but tender smile that he loved. “Zym has a present for you too. He’ll be disappointed if he can’t give it to you today.”
Callum exhaled, and let her fingers tighten around his, pulling him up to his feet beside her. His own smile slipped onto his lips. “Then we’d better go find him.” He said, casting a last glance at the portrait on the table. He didn’t resist it when she tugged on his fingers, pulling him away.
With a strange, quiet serenity, he followed her out into the light.