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He Hates Them

Summary:

Poland doesn't quite know how he feels about the four nations that have hurt him so much. Or, well, he does, but only the five of them can understand.

Also known as, personified nations' relationships are complicated. How do you deal with living next door to your murderers?

Notes:

(See the end of the work for notes.)

Work Text:

He hates them. Russia, Prussia, Germany Austria… they make his blood boil, more than anything else. Speaking their languages feels like his tongue had been turned to lead and his throat been covered in sandpaper. Being too close to them, talking with them, it turns his hands clammy and the air becomes too hot and too cold at the same time, his hair sticking to his sweaty neck. Walking on their land makes his clothes seem too tight and his skin crawl with a steady wrong wrong wrong danger daNGER DANGER–

And yet.

He still cares, as much as it feels like his heart is being cut into pieces and his brain is used as a ball in a basketball match to admit that.

It's not the same type of care he has for Erzsébet, or for Tolys, or even America. It's… sharper, rougher, with jagged edges that cut into his body every time it rears its head.

He wouldn't be upset if they were to fade, but he would mourn. He would kill them twenty times over but help find a lost, sentimental picture or trinket. He would laugh at their misery with not a trace of pity or remorse but offer scathing words and biting remarks of advice and the barest hint of comfort when they're at their lowest — he would, he had.

He hates them. They make his blood boil, his skin itch, his mind jump between fight or flight fight or flight fight or flight–

Sometimes, the hate is too much to handle and he screams and cries and locks himself in his room to massacre his furniture without anyone seeing him.

But sometimes, sometimes, when he plays piano in tune with Roderich's violin and they gush about how badass and amazing Erzsébet is, when he speaks cars with Ludwig over a pint of beer, when he trades meaningless insults with Gilbert as they remember the feel of swords in calloused palms, when he dances with Ivan after draining a bottle or two of vodka each…

Sometimes, they don't seem so bad, and the burning hate simmers down to icy needles digging underneath his skin.

He will mourn them without crying when they fade — because they will disappear before him, he's sure, he's already shown how hard it is to get rid of him — but for now, he will hate them with a passion, and he will appreciate them at the same time — not love, never love, not anymore (toddlers running from their caretakers, giggling as they exchange food taken from tables that bend under the weight of a wedding feast; two swords clanging against each other, golden and silver hair flying in the air and laughter ringing out in the courtyard; feathers whistling in the wind as armies clash, green and violet eyes meeting in agreement) but. Care, in his own, strange way he has and that they return with equal stiffness, awkwardness, and familiarity (scribbled sheet music offered alongside a new instrument; a hand rubbing his back and soft prayers murmured as he cries for his people; a polished and renewed blade he lost centuries ago left on his doorstep; an embroidered shawl folded on the bed in the hotel room in Moscow, the floral patterns more similar to the ones back home than he'd like to admit).

He hates them (the hatred grows and mellows at the same time, all the time).

Notes:

The nations' relationships have to be so complicated. I mean, they've fought so many wars against each other, but now they're all (or mostly) at peace? Imagine how that had to feel for some of them, especially those that had good relationships at once point but absolutely horrible at others (like Poland and Lithuania, for example; they were a Commonwealth for centuries but then Poland got greedy between the World Wars and tried to force Lithuania to unite again (or take it over by force) when Lithuania didn't want to). Generally, I think in modern times, most can be at least neutral even with ex-enemies.
Also, I hope it's clear who's giving what "care" at the end there.

Historical notes!

The toddlers running with food from a wedding feast are Poland and Russia around 1041, give or take a year or two, and the ones getting married are Polish duke Kazimierz I Odnowiciel (Casimir I the Restorer) and Maria Dobroniega of Kiev, daughter of Vladimir the Great and sister to Yaroslav I the Wise. Russia technically didn't exist yet, but Kievan Rus did, so assume Kievan Rus's personification is laughing at their kid's antics in the background.

The sword fight is between Poland and Prussia, from when the Duchy of Prussia was a fief of Poland after the Prussian Homage in 1525, aka Prussia was kind of owned by/dependent on Poland for a bit.

The battle is the Battle of Vienna in 1683, so Poland and Austria back when the Holy Roman Empire was still a thing.

Please correct me if I got any of those wrong!

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