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Kill Or Be Killed

Summary:

Eiji’s writing career has been stagnant since he moved to New York. Realizing that the poor parts of Manhattan are often ignored, he starts documenting Skid Harlor. Though every time he presents his idea of shining a light to the disputes of this big city, the company he is working under denies his work. So, when his editor, Shunichi Ibe, comes to him with a project unlike any other he hopes this will be his big break. The assignment? An exposé on the most dangerous gang leader of New York, The Lynx, who is supposedly working with a well known billionaire tycoon. The goal is to uncover something unseemly about his power in the streets and his connection to the corrupt Valdez family, for the NYPD to foresee imminent dangers. Who really is the Lynx? A scheming, murderous gang leader or just a seventeen-year-old boy, who grew up to defend his life with bullets? That's for Eiji to find out, eventhough it won't be so easy with his feelings and his true background in the way; if Ash ever found out their budding relationship would be doomed. There is no room for peace and love in Ash Lynxs world. So will it be kill or be killed?

Notes:

Hey, this is Poppy with my first story! Fluff won't miss, though I tried to keep the original set of Ashs world, but WITHOUT Dino. Hehe, no one liked that scumbag so why include him? Ash and Eiji will meet in a different way, but they'll still develop a great bond ;)
Enjoy, fellas💪😤

(See the end of the work for more notes.)

Chapter 1: Gasoline

Summary:

How are you sleeping at night?
How do you close both your eyes?
Living with all of those lives on your hands?
Standing alone on that hill
Using your fuel to kill
We won't take it standing still
Watch us dance

[Gasoline by Maneskin]

Chapter Text

 

 


The neighborhood on Skid Harlor Street was noisy. An older man with dirty jeans and a bald head yelled to a lady on the fifth floor of one of the many blocks.

"Shut the fuck up, Cheryl! I know Jerry's with you." His dry mouth, caked with pizza sauce, opened to throw curse words around fierily. His wizened index finger rose and swirled fanatically in the cold air.

Cheryl, the lady in a red bathrobe, spat out her window, hoping to hit the old man's ghastly face.

"Get out of here, you ass!" she screamed back even more hysterically. Her golden, gigantic hoops, clawed at her earlobes. "I don't owe you shit, fucker."

With each incensed movement of the woman's head, they glinted under the faint sunlight beneath the many dreary clouds. The bald man remained standing stubbornly but swaying, it seemed as if the five bottles of beer were catching up with him. No one screamed or was at all surprised that Cheryl, whose eyes blazed as red as her bathrobe, now pulled out a pistol and pointed it at the man five sticks below her. Immediately the man staggered away, alert pit bulls and hungry bulldogs behind fences barking after the running man.

The turmoil was part of the usual daily routine of the residents here in the dirty, poor parts of Manhattan. Mold spread in the small apartments of the 'skyscrapers of the poor', five to eight-member families fought for space, which is why you could often see teenagers and men of the families sleeping under bridges or benches.
However, they were hardly safe, sleeping out in the open among death-defying gang members.

Every day was a fight for life and death, whether it was for the last piece of bread or because of the neighbor boy who aggressively demanded money in the afternoon with whimsical companions. And if the wrong person turned into the wrong alley of the wrong streets, the skeptical and dogged residents would grant them no mercy.

In Skid Harlor Street, it was kill or be killed.