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The Order of the Throne

Chapter 3: Third Phase - The Prize

Chapter Text

In which You’re not so careful what You fish for

You meet the Mook on the sidewalk at 5:30 AM, Monday. He’s got a couple of aluminium-wrapped bagels in a bag and two cups of piping-hot Joe resting on the newspaper box next to him. Damn straight. You didn’t lock every last ciggie You had in the office safe last night for nothing.

He cleans up well, this Mook. Somehow he’s found a trenchcoat and suit combination that simultaneously fits a 6-foot former boxer with a spare tire that could rescue a freight truck, and makes him look entirely inconspicuous. Even his however-many-day growth of beard is neatly trimmed, framing his red round cheeks with a rakish charm.

“Black, with nothing. For tough guys, uh? Hard of asses.”

You don’t correct him. He hands You Your coffee. It’s a cold morning, and it feels just right.

“I am hope you like salmon,” he winks.

You grunt, hoping the caffeine rush will make You more pliable. In truth, You’re damn grateful to be biting into the cream cheese, salty lox and pleasing onion-rich bagel bread this morning, because of the other big change.

You’re...bigger, wider. Zaftig. More solid. More sturdy.

You have put on weight, Jackie.

Now that ain’t regular, is it? You’re getting older, and Lord knows You’ve seen many a faithful newshound turn into a pampered pooch the minute he hits his 40s and starts to afford the expensive hooch and big gala lunch assignments.

They say a gal putting on a couple pounds is downright attractive; in a fella, it's a sign of success. You're not one or the other, and this sudden development is nothing but an unwelcome mystery.

But it’s like the “Big Shot”. This wasn’t something You anticipated hitting You just yet. You’re past the quarter-century mark, sure, but it’s not like You’re not even faintly attached to the desk, it’s practically greased to make a quicker getaway. And You’ve only just started quitting the cigarettes.

So it has to be something else.

Ah, to hell with it, You know what it is.

That's probably why You changed Your mind. In the flurry of anger that took You from the hospital back home on Wednesday, You forgot all about Your little lapse of memory...and surge of appetite for street foods...and by the time You got home, You'd chalked it up to a stressful week.

Called the office, and Your Pa. Told 'em both You'd be taking the next few days to chase some leads. Maybe You meant that. Maybe it was even true.

You don't know, 'cause You don't remember.

What You do remember is waking up sprawled across the bed like a lizard in the sun, clad in nothing but boxers, socks and Your wristwatch. All of them...suddenly very painful. Pinching.

You are not someone who takes care of themselves, Jackie.

You live a sparing, Spartan lifestyle. Always on the move, so anything You have to prepare for Yourself is going to be pre-packaged or easily reheated. You deign to own a freezer for those nights when a complicated story needs chewing over, and even then half Your dinner gets forgotten in a cloud of cigarette smoke.

Occasionally some Dame will breeze into Your life and try to fix things up. Now and again, rarer but not impossible, that Doll is a Guy.

Whoever they are, they'll try their hardest. Get regular meals in You, get to the launderette every week, You know the drill. Never does it work out. You can't be slowed down. Inevitably they realise what they saw in You wasn't nothin' but a reflection of what they wanted in themselves, and they go back out into the world, dabbing at their eyes with a handkerchief.

And You get to live for a while in the spotlessness they left behind, before Your bad habits muss it up again.

Yeah, once in a while, along the way, love's been good to You.

This was the opposite, Jackie. Pure carnage.

When I heard, I did feel sorry for You.

You'd tried to roll over and found an unfamiliar obstruction. Some sticky residue was left on Your face and stuck to the pillow, and when You'd wiped at it the acidic taste of citrus was left behind. Marmalade. Somehow...yes, on the side table, a jar of marmalade. Empty.

When did You even buy marmalade?

"Hiccup," You'd said to Yourself, by way of explanation.

Clambering slowly, gingerly against the ball of uncomfortable pain under your ribcage, You'd stepped over pie tins, licked-clean wrappers, empty beer and liquor bottles, discarded forks and spoons, into the harsh light of the bathroom to inspect Yourself. You don't own a scale - You don’t need to be told Your worth - but the results of Your "chasing the leads" sabbatical were clear.

It wasn't a one-off, that "Reel Missing" moment with the hot-dogs. This time both reels had gone on the lam and carried away the projector with 'em.

Jackie Cardinal has a sleepwalking problem.

Jackie Cardinal has a gluttony problem.

Jackie Cardinal has a gut.

That moment at the mirror had felt like something out of a horror movie, a Jekyll/Hyde screecher complete with 3-D effects. You'd turned around, the full 360, to survey the way Your figure had changed from a straight-edged l to a paunchy b.

The damn thing had been...red with strain, and impossibly round, like a globe or a cannonball. You'd poked at it with a finger and regretted it, doubling over in pain as best You could until the gas left with a relieving "Brrraaaapp".

Somehow Your cheeks were rosier, Your eyelids puffier. A quick prod at Your armpits and neck showed no swelling, so not glandular fever.

Your chest...well, You were relieved to see only a subtle development there. Just some little...whadayacallit...bee stings? They bounced when You pressed them in, but only subtly. A tight shirt would keep them in check.

A little relief. You'd always taken pride knowing Your disguise kit need not contain "tucks" for both top and bottom so long as Your trousers were loose.

Were loose. A glance over Your shoulder tested out that theory. Huh. Those cheeks were rosier too; Your 'seat' was reinforced; there was a little less definition to those sticks between it and Your feet.

You had become...Plump.

In two days?!

How?

How in two days?!?

"Hic," You'd said again, for want of a better word.

"Uhh...rrurrarp," even.

Picking Your way through the wreckage of Your apartment, You'd found Your fridge to be totally empty, Your freezer likewise, a graveyard of pots and pans left in Your sleeping self's wake.

Even the hole in the wall where You left a tin of red velvet cupcakes had been raided. Figures, since it was You doing the raiding. A shame, though, since You'd been planning on eating one for a treat when You made Your next headline.

You'd turned back, sluggish, to Your simple little kitchen table, enough room for two chairs. One of them the clean centre of a crater of grease stains, ketchup, other splatter.

On the other, a revolver You've never seen before, new from the store, innocently perched in its box with the chamber out. Only four bullets in there.

Four bullets. Four horsemen. You can’t help but notice patterns.

Underneath it, a note, carefully typed.

AND I HEARD, AS IT WERE THE NOISE OF THUNDER...



Underneath that, a wax seal You’ve seen before. The mark of the Throne.

Spooky shit. Putting the fear into You. Bible stuff again.

If You'd had it in You, You'd have screamed all the rage out and bashed the chair against the wall until it was firewood. As it was, all You could do was burp and feel ridiculous about it. And maybe a little lucky that Your...other self had been considerate enough to line Your stomach and avoid that hangover.

You'd thrust the gun in Your pocket, kicked a path thru the wreckage and found the telephone, on-the-hook and not sticky with anything, thank Christ.

Dialled the hospital. Asked for that room.

"My body needs guh, hic, guarding," You'd begrudgingly admitted, over the gurgling strains of your overstuffed middle. "My place, brap, 5:30, tomorrow. Don't make me regret my sudden flights of fancy."

Working alone is a matter of pride, but only if You're sure You are alone.

You always thought a partner would hold You back. Maybe that's why You have one now. In case You need restraining.

Plus, bagels are a nice bonus. Maybe Your bodyguard deserves a bigger cut.

You feel Your thighs rubbing up against one another in what You thought were outsized pants. The result of sleeping through Your food-bender is, impossibly, a layer of thick pudge around Your middle, Your thighs, Your neck and cheeks. Parts of You jiggle now if You turn too quick. Your body, moving of its own accord. Downright disturbin' is what it is.

You really wish it was the stress.

“What now?” asks the Mook.

You slurp back the dregs of Your coffee. Feels good. Oil for the engine. You adjust the brim of Your hat the way Bogart used to do in the movies, stretch out Your shoulders.

“Now...we go to work.”

 

~~~~

 

Fifteen minutes after he found the second chair, the Mook gingerly lowers his feet onto it and settles back.

“He is not expecting work to be...well. ‘Work’, like this,” he says.

You sigh, not looking up. “It can’t all be like in the movies.”

Nobody likes heading into the microfiche department, least of all You. Every wordnik who gets sent here is either wise enough to bring along a pack of cards or a yo-yo or something, or...goes into it with thrilling dreams of fitting together the pieces of the jigsaw only to find that God himself has carefully placed every single piece in a separate box and then thrown half of them in the river.

Bottom line: newspapers need every sheet filled, every single day, even a cheap circus sideshow like the Tribune. And despite what all the editors and board members and wise-asses in journo college will tell You, news does not happen every day.

So inevitably Your broadsheets are going to be filled, stuffed to the brim with...air. Letters from outraged housewives about the short socks girls are wearing, or demands that the Mayor send more cops to Little Italy (keep dreamin’, pal), or latest updates on the price of coffee beans.

The kind of stuff You read when You’re stuck waiting for something You don’t want, like the train to work, or a root canal. Distractions. Trivia. Fluff.

Your middle gurgles, soft and low, and You sigh.

Newspapers ain’t the only thing getting filled up with fluff these days.

Relax, Jackie, focus on the work.

So it’s been like this. File thru the filing cabinets. Find the little teeny slices of film. Examine them in all their garish preserved glory through what feels like a 7-goddamn-thousand-watt projector in a room with no other source of visible light.

Make notes while the Mook shifts backwards and forwards on an already decrepit office chair and nearly breaks his neck before You carefully suggest a footrest might be in his near future.

Come up with bupkis.

So far You’ve been here through the morning and into lunch, with nothing turning up about no throne, no order, no doomsday cults. That-all makes enough sense. The doomsday cult that’s stupid enough to get exposed by the local papers ain’t worth the dough they dropped on candles. But nothing else is turning up either.

You thought You’d start with the Mook’s boxing career. No dice. Somehow Dimitri Belyaev, a healthy, strapping stack of junger mann with (he assures You) seven consecutive knockout matches in a row, “World Champ, this is true”...doesn’t show up in the sports page once, in a year? Two years? Not even that lousy “Any Other Business” column that they kept running, even when Sammy said he’d love to put out his cigar on the thumbnail of the fop what writes it?

You moved on to the records of immigration. It’s only ever name, origin and date-of-birth, and most of those are made up anyhow. Anything to get cheap hired hands. But the coastal offices always copy in the newspapers so they can chase up leads if need be. You hear they have a similar deal with the cops, so it always felt pretty slimy.

(Now and then one of the cub reporters points out to Joey or one of his cronies that arrangements like this seem at best half-legal, and goes home early to rub a package of Rosebud-brand frozen peas against his ear for no apparent reason. Or, when they’re a girl, gets patted on the head and told not to worry about it, darlin’. The sweat content in the average news editor’s palm trickles into the lifeblood of local department stores, specifically the fedora, headscarf, ribbon and hairband divisions.)

Either Dimitri Belyaev is the “Jimmy Jones” of the Russian diaspora in the city or in the last year of foreign arrivals he’s somehow been seventeen different guys at once, and at least one dame who’s incurably bad at paperwork. Heh. There’s plenty of him to go around, but not that much. Not one of those new arrivals weighed much more than 120 pounds, according to records, either.

Stats, marriage records, landlord records (where You can find ‘em)...there isn’t even the hole where a person would be, should someone try to scrub those records out. So maybe whoever knocked out Dimitri Belyaev and shoved him into Your office is really good at keeping people hidden. So good they also knocked him out of public records and shoved him into the role of an amnesiac Mook.

That’s the explanation You oughta go with, because the other one is that he just isn’t real, and You’re trusting a total stranger with Your wellbeing.

You turn to ask the Mook what else he might remember, or maybe when his birthday is, or what animal he’d turn into if he could do it in a minute, anything to keep Your brain from puddling out Your nose. He’s not there any more, but You can hear lumbering out in the archives. Probably patrolling the perimeter.

Bodyguard stuff. You try to forget he’s as long in the job of bodyguard as You are in having one.

Maybe it’s time to switch track. Look for other leads, better patterns. You pull open another filing cabinet drawer and begin again with front pages from the past six months.

Forget about boxing matches, Russian emigres, apocalypse cult nonsense. Just take a punt. Join those puzzle pieces. See if “Big Shot Reporter” can’t earn that nickname. Look...for...patterns…

You should be proud. It only takes twelve or so minutes before You’ve got something solid.

For an unspecified number of weeks, at an irregular pattern that nobody would go looking for – people in this city have been...disappearing.

It’s not always kidnapped-type disappearing. One or two missing person notifications in the back pages, sure, but more often it’s an announcement of layoffs, transfer to a new workplace out of state, or even retirement. No set pattern of person – young or old, ladies or germs, creed or colour or name, it don’t matter, they ain’t there. (Never kids, for some reason, but maybe thank God for that.)

Sometimes it’s a pioneering businesswoman who’s dropping out of the glorious world of work to raise 2.6 kids in Bemidji with the charming owner of a salmon fishery; or sometimes it’s an overachieving college kid getting snapped up by the military to start work on efficient new ways of converting a thriving township somewhere into a slightly-scorched property development opportunity.

Little by little, Your paperwork grows from a simple sheet of names to a multi-page map of connections and coincidences, spread out on the side-table of this cramped room and clustered like pigeons and crows around an overturned bread truck. Every single name makes it into the paper and then goes away, seemingly forever.

No updates, no public records. That businesswoman never gets a new forwarding address in Bemidji; that college kid isn’t listed on any government record of new admissions. The rule seems to be: pay ‘em off, make up a story that no-one would question, put it on the public record.

Swallow ‘em up.

You’re amassing a collection of ghosts.

And You know it’s a pattern, because one name is always at the centre, and it’s a name You’ve seen before.

(You don’t see the other pattern, of course, because these messages are rarely notable enough to come with pictures. That’s rather the point, the writers need them to hit that sweet spot of noticeable but inconsequential. But You will see it, soon. I promise You, Jackie. You will.)

The only detail You haven’t squared is the Mook, because neither his name nor any variation seems to show up recent. Which isn’t discouraging, but certainly distressing: it seems entirely possible that whoever is doing this, “The Order of the Throne” or whatever, was going to put Dimitri Belyaev on their next list of abductions or murders. And then something got in the way. Maybe he fought back. Maybe he wasn’t what they were looking for. If they can mess with a guy’s memory...maybe he saw too much.

Adrenalin is pumping through Your veins, heartbeat filling up Your ears as You buzz between the Microfiche, the books of records that rest atop the filing cabinets, Your new set of leads, and Your own mile-a-minute inner monologue. You aren’t fishing any more, You’re harpooning and netting with ease, working up a sweat as You take down catch after catch. Six months of convenient disappearances are lifted out of the archives and into the pattern.

So it’s understandable that while You’re bent over the machine once again, absorbing the (faked) details of a notable author heading into a writers’ retreat in Scottsdale...You don’t notice the footsteps behind You, and the object that is suddenly thrust under Your nose and into Your gasping mouth.

 

~~~~

 

Goddamnit, You realise in a fraction of a second. It’s a donut.

Sonuvarrrmmpph!”, You scream, the picture of dignity.

At the other end of the donut now shoved awkwardly between Your lips is the Mook. He grins back at You like the kid with their fist around the pickle at the bottom of the jar. “I uhhh...this is joking,” he mumbles.

Your finger points as threateningly at him as it can manage. Though You must admit, a Mook his size sneaking up behind You is pretty impressive. Maybe he’s got this bodyguard thing covered.

Duhn doh tha...’gain,” You gracefully concede.

You sit down and take a chomp of the donut anyway. You hate getting surprised, but it is delicious. Not like the kind You get at the grocery stores, it’s got a...roughness to it, under the icing. A nice crumby texture. You want to savour it, for a minute...

You catch Yourself, at the same time as Your hand catches the rest of the donut. You don’t want to savour it for so long You wake up somewhere else.

“Tap me on the shoulder next time, huh kid?” You grumble, licking frosting from the corner of Your mouth.

Once again his head bobs up and down in apology, like a duck in a choppy lake. Reminds You of that lake of Your own.

“Come look,” You beckon him over to the table.

You begin linking up the various names and commonalities amongst Your hastily-thrown-together chart, and without saying a word he helps to sort them out across the table. They’re easily grouped: it’s just a matter of determining who worked for which boss, who was connected to which corrupt cop.

“Is like the water flowing into drain,” the Mook muses, stroking his beard. Quicker on the uptake than You expected. “Or like...tornado.”

“And look at the commonality. The thing that keeps coming up, every third name or so, like a breadcrumb trail.”

In the centre of Your web of names, on the largest scrap of scribbled notepaper:

 

 

 

 

Sedd Glynn

 

Immediately below:

 

Pelinore Trading Co.


“Huh. ‘Pelinore’. This is name of...Knight, yes? Or Saint.”

You blink.

“Spot on, kid. Or best as I can remember, anyhow. There’s people I talk to for that kinda info. How’d you know it?”

He shrugs, his jacket crinkling, as he takes another donut from the bag. “Mmhf. Lucky guess. So where do we go next?”

“My next move was going to be putting together more of these names, see if maybe they belong to a...club of some kind. Shit, I don’t know. I’m working in the fuckin’ dark here in more ways than--”

The Mook suddenly begins choking, spluttering, bashing at his chest. You turn and thump him on the back until the offending crumb is loosened and he nods his appreciation. He collapses back down in the nearby chair, which creaks as nervously as ever.

“Uh, please...not so much with the swearing?” he asks in a timid tone of voice.

Damn. First the ciggies (You hate how much You miss the ciggies), now the language? You’re about to tell him where to shove it, but catch his expression. Something...You can’t put Your finger on...in that expression. You don’t want to say no to it.

“Why?” You say, instead.

“Not sure. It make him...er, me, it make me wince. Pain in chest. Like remember...uh. Unpleasant sensation, you understand.”

Ugh. Fine. You concede with a shrug and make Your way back to the filing cabinets. You’ve got a good thesis going but it’ll need sources if You want to defend it.

The Mook settles back down on his chair, then makes a face. He stands back up, gets a third chair, places it by the first, then lowers himself back down, one cheek on each, probably thanking his lucky stars that the Tribune is too cheap to splash out on arm-rests. He settles the donut bag on the dome of his belly and pulls his hat down over his eyes, resembling nothing more than a bear practicing for hibernation.

“This is bodyguarding to you, huh?”

“Your body is inside four walls with no window. If someone come to get you, they must trip over me first.” He nods to the side, not adjusting his hat. It is true; he’s between You and the door. “Besides, he is technically still rest after medical emergency.”

So he says. Funny thing, as he begins to snore in his chair set-up You start to see another pattern, maybe because Your sleuth-brain is in gear. He took a weekend to recover from collapsing in Your office from what was supposedly exhaustion. And for a guy his size, You sure haven’t been noticing much of the usual kind of exhaustion. He ain’t so hot on research, but he clambered all those stairs without breaking a sweat. Wasn’t he meant to be an out-of-work boxer, for years now?

And then there’s all the rest of the mysteries, clambering around those big powerful shoulders of his like mountain goats over the Alps. Where’s his memories gone? Why’s he got a name that doesn’t match him, and why’s he essentially a walking violation of public records?

Also, why his is hair so long? You didn’t understand the fashions in Russia being so unconventional as to let their men wear it down to their shoulders, or tied up in a bun concealed by their hat. You’re no stranger to anti-conformity Yourself, but the mix of his beard and his hair makes You curious. Something about it...

You need to get to the bottom of all of this. What’s he not telling You? It takes You five or so more minutes of listless name-gathering, but eventually You look over Your shoulder as You sort through files.

“So, Dimitri...I gotta ask...”

He jerks back to consciousness, lifts his hat and You meet his eye. There it is again. He’s smiling, innocent, in a way that reminds You of the way Your cousin Noel’s labrador retriever ‘Carol II’ used to whine at the back of his throat when You’d throw him a snowball to catch during winter school break. There’s no way You could hurt that sweet smile, let alone interrogate it. But You have to.

“Yes, Jac--”

“Uh, why donuts? Not exactly the most nutritious lunch.”

Oh, Jackie. That poor heart of Yours. Maybe next time You can ask in a dark room, or invest in some kind of blindfold.

He shrugs. “No good deli in area, and he not want be away so long, because not safe. But bakery is good.”

“Well don’t keep ‘em all for yourself, ya big lunk,” You smirk, crossing the room to jab Your hand in the bag. As luck would have it, jelly-filled. Not like You have a favourite or anything like that, but as donut kinds go, this one ain’t bad. You take a hearty bite.

He clears his throat, turns away and starts to get up. “Maybe not time for sleep anymore. Finish lunch and ehhh, we go for walk, yes?” he mumbles. “Chase leads. We are maybe getting too, uhh, bored in here.”

Cripes, did You moan? As You were biting into the donut, did he hear You...moaning? Nobody bakes that good, Jackie.

So that means You were moaning because...You bite into the donut again, close Your eyes automatically. It’s like that hot dog the other day. You cannot imagine how You lived so long without it. Maybe can’t picture what it’ll be like when it’s gone. Raspberry jelly oozes onto Your tongue and coats it, a pleasant layer of powdered sugar dusts Your lips. This donut gets You somehow. It’s exactly everything You need.

There it is. As much as eating it overwhelmed Your senses, there was a definite moan arising from the back of Your throat, the kind that usually accompanies sinking into a warm bath at the end of the day...or other kinds of sinking.

You swallow the rest of the still delicious donut as quick as You can. Enh, he’s right. Maybe You could use the walk. Work off some of this squirrely feeling.

You go to get Your coat. He’s already up and fetched it for You. Sly sonuva...

“You sly...devil, how’d You get to be so fast?”

“Boxer always moves on his toes, Ma’am.”

“Tt. What’d I tell you? If I gotta clean up my act, you gotta give me less of the ‘Ma’am’, not to mention 'Sir'. Just Jackie or Jacks will do. Maybe ‘Boss’.”

No, that feels wrong.

One of those fascinating eyebrows of his arches.

“Or try ‘Friend’. Can you do that? We’re in this together.”

“If this works for you. Like you say, ‘Put ‘er there, pal.’”

His hand clasps Yours. It’s a little sweaty but cosily warm.

“Glad we got that sorted. And don’t fetch sh...stuff for me neither, I’m a grown adult.”

“She would want me to be gentleman. Kinder.”

“Who would?”

“Uh...” he clouds over again. “I not remember. Someone from boxing ring, maybe? Coach? But no...not woman coach...confused.”

That tickles You, a little. Not ha-ha kinda tickle.

You pat him on the chest and gesture at what You’ve built so far.

“Don’t worry about it. We’re going to get to the bottom of this. Tell you what, get one of the shutterbugs to come up here and take a photo so I don’t lose nothin’ of this. I’ll meetcha down there.”

You wave him off, munching a little on the last cruller he left behind.

The instant the door closes You’re back at the microfiche screen and know exactly where to look.

New arrivals. Last year. A couple months ago. It takes You an almost criminally small amount of time to hone in on it.

Mi Cha “Mae-Linn” Hyun. Landed from Korea last July. And...flipping back to those marriage records...

Bingo. She ain’t Mae-Linn Hyun any more. She’s Mae-Linn...huh.

Huh.

Now what does that mean?

 

~~~~

 

Before You meet up with the Mook again, You take the time to do a little experiment. You have a disused closet in here marked out with Your own private padlock, since no chief yet has been generous enough to spring for lockers. The revolving-door employment policy would make them a waste of cash anyhow.

When You step back out onto the streets, the Mook does a double take...and whistles. You stiffen, raise Your eyebrow, readying an imperious glare.

“No joking this time,” he smiles. “Just impress.”

You exhale, nod Your own appreciation. Lipstick and blush ain’t always easy to apply in the dark of a closet, but Lord knows You’ve had practice. That goes double for shimmying out of Your pants and into a sensible skirt, even if said skirt is pinching a little more than You’re used to.

It pays to play angles, whatever work You’re in. On top of that, it’s a known fact that the common man is less likely to suspect a no-good busybody of sticking their nose where it doesn’t belong when that busybody is a “good-lookin’ gal” in a practical-but-revealing jacket-and-skirt ensemble, rather than looking ratty and genderless in slacks and suspenders. It’s a shame that the world makes good and bad people this way, but if it helps You get Your leads, it’s an angle You’ll always be happy to play.

You toss Your head, letting Your freed, hastily-brushed curls catch the sunlight. Feels good after a day or two with Your bun under Your hat.

You start making up a cover story in the back of Your head in the back of the cab. Put-upon P.A. to some Hollywood Mogul looking for a nice shooting location. Or maybe hired hands for taking apart a set. You can never have too many big strong guys in the movies. It's one of the reasons the movies themselves never appealed to You. Somehow a person can only take so many oiled biceps, chiseled jaws and brooding looks before they start drifting off and wondering what to order for dinner.

“Nothin’ like the bracing sea air,” You sigh as You step out of the car.

"For me, is only smell of fish." The Mook's been quiet for the journey. You had assumed he might be resuming his nap, but on second thought, it can’t have been too comfy in there – too cramped for someone of his generous frame. He’s stretching his neck back and forth, cracking his knuckles. As he arches his back, his belly surges forward under his crinkled shirt. Maybe it’s that salt smell everywhere, but it makes You think of a sail catching the breeze. Pleasant and simple.

There’s a crowd bustling around as morning drips into afternoon. Clouds are on the distant horizon, and rolling fog. Harder to get a good day’s work finished off in the fog, so no doubt the bosses are going to be pushing to finish it off now.

Apart from a near-endless supply of muscly guys and gals in overalls or vests hauling supplies around, there’s also hopeful lobster fishermen strolling slowly out to haul in today’s cages; gangs of kids setting up their marbles and dollar-onna-string wherever opportunity finds them; a couple of ladies of the evening perched on the bollards, nodding at the cars and trucks as they pass by, bathing in a chorus of wolf-whistles and waiting for an obliging soul to buy them a malted and commence an evening’s hard work.

The Mook’s keeping You in line of sight and You’re doing the same for him. Now and again, You catch the eye of some strapping cabin boy or girl with a crate on their shoulder, or some flat-capped palooka lighting a quick smoke (grrr, don’tthinkaboutit don’tthinkaboutit) before he gets back on the road. They all interest You. They all have stories.

“Not your kinda party, then, slugger?”

“No, maybe not. He is not like you. Not so...flexible. Too many people here. Remind him, me, of the boxing ring.”

You pass by a couple cops, each with one hand on a burger and the other resting on the nightsticks in their belts. The picture of innocence, You just can bet. You wish You had some way of signalling those gals on the bollards to make a hasty exit.

“Oh, and how ‘bout me, then? If I’m not so like You, what’s the appeal?”

"You like docks because is no people there," he sighs.

You take a minute to hear him, too focused on eyes to catch and conversational snippets to overhear.

"Dock workers count as people, last I checked. Pretty sure hookers are human, too.”

“To newspaper? Nicht. Newspaper see only helpless pawns or angry attacker. Worker want roof over his head and daily bread, prostitute want to sleep safe, and they are lazy, discontented rabble instead of thrifty working class. Workers see workers, and boss sees sheep with not much wool.”

That makes You look back at him. He’s not bristling, just resigned, as stoic as old Hercules with his shoulder at the wheel. If You were less experienced in interviews You’d challenge that assertion, insist that’s not how You see it; but the instinct is always to work out why they do think that way, not why You don’t. Admittedly, it ain’t exactly an unexpected sentiment from a Russian fella, but there’s something else there under the surface, something You can’t quite put Your finger on. Does he know exactly what he’s saying?

“...How long’ve You been this side of the Pacific, again?”

“A couple years. Since...eh, ‘52, maybe.”

Uh-huh. You file that little mystery away for later. Probably a coincidence. Better not to let it get to You.

The stroll along the dock is the work of an hour and a half. Plenty of potential leads swallow Your story, but only a few of them recognise any of the details You have to offer, much less have anything to give You back. As reassured as You are to have the Mook hanging around, there is a timer on these things - the more questioning You do, the more likely You are to get overheard, or followed.

If someone isn't already following You.

Two hours in, Your flats are killing You and the Mook's huffing and puffing from fatigue when You at last hit jackpot. A dockworker by the name of Sanders glances at the seal of the Throne and nods instantly.

“Yeah, I seen it...that is to say, I saw it,” he says. “Sometimes got one printed just like it on the crates. Only this one’s upside down.”

“That so?” says You.

“Sure. The chair, I mean. Usually ‘s’ got the legs onna floor.”

You swap expressions with the Mook. Some more notes to compare later. Rivals trying to put You on their enemies’ scent? Cops or Feds putting a smuggling ring on a silver platter for the papers? Or just somebody with a screwy wax stamp?

“Who’s in charge of managing shipments? The Meyers-Tanning company might want to have a word with them about...future prospects.”

“Ah, the boss-man? That’d be jolly Misser Woodburne, up at Warehouse 17B. Just off lunch, so he’ll be in a right cheerful mood,” Your new contact winks. “And if’n you manage to get a good deal outta him, I’m sure there’s other...prospects in store...”

His hand is barely hovering near Your thigh before the Mook has it in an iron grip. “No touch,” he rumbles. The dock worker has already turned sour and is shaken off, his under-the-breath swearing drowned out by the knowing laughter of his pals. The Mook nods, and You nod back. Earning his keep, and in such a charmin’ fashion too.

Warehouse 17B is near scraped empty. The last few boxes and barrels are being man-handled into the trucks as fast as the last rummies at closing time, the shelves lay bare, and in one corner sits a makeshift desk constructed hastily out of broken crates. It’s all the way across from the entrance, and covered in stacks of paperwork, so all You can make out of the person behind it is a fine musical rumbling.

“Come to meet the adminnysater?” asks a kid at the door, and You wonder not for the first time that day if a fellow or lass needs to take an entrance exam in slang before they get the job aboard a boat. He must be 19 and a half, tugging at the braces of his overalls and sneaking an unsubtle look at Your chest, oblivious to the man-mountain following You close like some kind of a 300-plus-pound duckling.

“Ain’t got an appointment,” You smile, gesturing upward to Your eyes. “Thought he could answer some questions.”

Your blushing guide bows a little out of bashfulness (the Mook, charmingly, does just the same), and You are led across to the desk. There is seated – or so the hand-written cardboard name-plate on his desk says – Darius Woodburne, former captain and current paperwork-jockey.

He’s a cheerful soul, still dressed in his captain’s jacket over a modestly-priced suit, with a combination of well-oiled beard and characterful eyebrows that give him the countenance of a beloved ship’s cat who’s plied his trade on many an unfortunate rat. He’s humming a tune to himself in a bass that would rival the great singer and stage actor Paul Robeson, and from the good looks of him he could very well be Paul’s cousin.

...give or take a few ounces. He’s clearly enjoying his life not being on the high seas, and like the Mook has taken to perching himself on two crates rather than the one. You try not to look too directly at him once You notice. So as not to upset him, of course. Doesn’t pay to, er, stare.

He’s sorting through paperwork when You approach, but the Mook bowing deferentially at the waist, and inadvertently knocking over a stack of invoices, turns his leaden concentration into a grin of pure gold. A smile cracks over his wide face.

“Why if it isn’t the Gentle Giant! Come to claim that drink I owe ye?”

You blink. Clearly Mr. Woodburne’s spent long enough on the high seas to absorb some of the lingo; between the accent, the stout frame and the pitch of his voice he seems like the mysterious progeny of Captain Ahab and his foghorn.

He remains seated, but gestures to the Mook to come close and bend low, and he gives him a happy hug. The bewildered Mook is pressed against Woodburne’s shoulder and patted warmly, and when they separate the Yard-Master is gripping his arm like a proud father.

“This here unlicked bear is the reason me nieces each got a present of their very own last Christermass, ‘a dainty doll all the way from France”, and all. Made me a tidy packet, ‘e did.”

You didn’t recognise whatever shanty he was just quoting, and the Mook is still bewildered. He gestures his bewilderment at You emphatically.

“My associate Mr. Belyaev is...a little confused, of late,” You gently explain. “We’ve been looking for information about some missing memories of his, as it happens.”

Woodburne’s good mood fades as quickly as it rose, a familiar fire dying into meditative embers. “Mister…hm. Well now, ‘missing memories’, eh...Giant, seems like yer took the ol’ one-two a one too many times!” He roars with laughter, holding his shaking belly with one hand and propping himself on the Mook’s with the other. “Sure, I’ve heard’a prize-fightin’ men going punch-drunk, but never did I meet a man who got punch-hungover!”

His mood is infectious, and while tidying up the spilled papers next to his desk (most of which are fairly innocuous – damn, You were hoping for a glimpse of the seal of the Throne!), You can’t help but crack a smile.

“Mr. Belyaev has made a new pivot in career. He’s my private security, for now.”

“Ah, congratulations, m’boy. Seems we’ve both made a step sideways in the wide world. And if’n yer still forgetting, allow me to reintroduce – ” he sticks his hand up, still seated – “Darius Woodburne, temporarily de-captained commander of the S.S. Phoebus, at yer service.”

“Is pleasure,” the Mook mutters bashfully, “name is Dimitri Belyaev, uhh...bodyguard.”

Woodburne turns back to You, nodding thanks for helping tidy up the Mook’s mess.

“Well if that’s the case, I do wonder ‘oo’s really doin’ the protectin’, eh? Fine lass like yerself could do a landlubber like this a power o’ good, eh?”

“Not, er, lass,” the Mook mumbles, though You shush him. You didn’t discuss defending Your boundaries in the agreement to defend Your body, though You do appreciate it, and You’re happy to keep up the illusion of feminity for now. It’s useful for keeping interviewees relaxed. Clearly You have an ‘in’ with this old sailor, and You’re thankful for that, because...because...something is going on with You, Jackie Cardinal.

This man is at least seven years Your senior, and he has a photo of his little woman and three tall daughters on his desk. He is also roly-poly, with the broad frame of one of them Japanese wrestlers You read about, the kind who go to matches only wearing a loincloth and could give someone a concussion with a simple belly-bump.

There the resemblance ends: his clothing is well-fitted, though it looks as though they're a dinner or so from falling away from him. Beneath his shirt and waistcoat, his belly is the prow of a mighty schooner itself, plowing over the waves of his lap with true mastery. Even the chain of the pocket-watch in his waistcoat completes the look, resembling the anchor soon to be weighed.

He might be the biggest, widest, fattest man You ever saw, face-to-face. So why is he simultaneously one of the most gorgeous, desirable human beings You ever laid eyes on, so much so that You know You can’t look him directly in the eye? Why do You wonder if he’s been weighed lately, never mind his anchor? Why did You get one look at this proud, wide ship of a man and become overwhelmed with the desire to clamber aboard?

Wait...he said nieces too, didn’t he? So that may well be his sister in the picture. Probably is. So he’s free. Probably married to the sea. One of those who has someone in every port. Damn. Damn.

You clear Your throat.

When I hear about this later, I'll smile, Jacks. Seems You spent too much of Your time committing other people to print, and it's gotten considerably difficult to get a read on Yourself.

You explain Your investigation to the stout fellow before You, and show him all the clues You have to go on. He tuts thoughtfully at the hasty assemblage of names You scribbled on Your notepad before leaving the office.

“A name or two I recognises...and now, even if it ain’t me place to betray a client’s confidence, I won’t say I haven’t heard tell of the men from Pelinore.”

“Men?”

“Operators, under-secretaries and the like. You know the type.”

“Seen any of them lately, around these docks?”

“Used to on the regular. But if yer talkin’ lately, I’ve had to change the circles what I move in. Allow me ter demonstrate.”

Pushing back on the laden desk, and causing a few more of those paper towers to wobble precariously, Darius Woodburne makes the room to turn a rough 45 degrees on his wooden seat and show off the recently-refreshed cast wrapped around his left leg up to the knee. His cut-off trouser leg bulges against it, as does the flesh of the leg itself; which tells You that he’s gained all this weight recently.

In point of fact, now that You’re brave enough to look at him directly despite Your blushes, there are a few tell-tale stitches and patches laid across his smart clothing, indicating recent alterations. And even then, You could hear the creak of those dark trousers against the crates as he moved...God, there is so much of him in those, and You have no idea how he must get them on in the morning, never mind take them off…

“I am sorry to see this. You are...comfortable?” the Mook asks, mercifully breaking Your reverie.

“Sure, there’s a tidy bed waitin’ in the shed out yonder if that be your meaning,” says Woodburne, though he’s looking at You. "After all, 'm used to me own company. A pipe o' baccy and a moment or two with the guitar, or settled down with a good book. Ain't no wife to speak of, nor any regular visitors...at the moment."

Are You staring? Does he know You’re staring? Is that at all appropriate?

“And me lads are always obligin’ with their shoulders to get allll o’ this heavin’ to and from every day. Ain’t yer, lads?”

You only take a second or so to imagine how many of his men he must need to lean on to get him up, because he jiggled his belly when he said that.

He jiggled it! It was not even at all subtle! He knows, dammit!

You massage Your temple as though tired, hoping it helps the blood flow somewhere other than Your cheeks. Your hand is soothingly cold as the autumn evening chill begins to settle into the docks. What You need is for a block of ice to descend from the ceiling like in the cartoons and knock You outta this situation. An anvil, even. Something spontaneous.

“Right we are, Cap’n,” the teen who guided You in sighs. “Even when we’ve been tirin’ ourselves out with all kindsa heavin’ and unpacking all day anyway.”

“Ah Davey boy, I’ll learn ye ter keep that smart damn mouth of yers shut by the time I’m on two feet again, see if I don’t,” he smirks back, honey-sweet.

Enough of that honey-sweetness. You've got work to do and answers to find.

"Can we have the room?" You ask.

 

~~~~

 

 

 

 

 

 

 

Woodburne accommodates. He waves off his crew, some of whom linger, seemingly unwilling to let him alone with strangers. Touching as it is, You scribble that down in Your notebook. Everything counts.

"They're looking after you," You say, pulling up a crate. The Mook chooses to stay standing. "Loyalty like that ain't so easy to come by."

"That it isn't," he says. "They be loyal lads and er, ladettes, and each of 'em be from either a great big family or no family at all. When yer a Cap'n, ye can either accept that the crew beneath yer is now yer sons, daughters and everythin' in between; or deny it until the day they take out all the resentment they e'er garnered 'gainst Mommy, Daddy, siblings or grandparents or the like. I always been a proud Papa, and me little 'uns do me proud as well, though they'd ne'er admit it. Care for a smoke?"

He offers a pipe around to the Mook, and to You, finding no sale either way. The Mook takes a step backwards, out of the range of the smoke-cloud.

"So they's been loyal, sure enough. Obeyed me orders, kept me from dyin', got me to the sawbones when a stray crate o' lead pipes come a-tumblin' down onto me and fractures me shin in a couple places. Ah, t'weren't nothin," he adds, in reply to the Mook's sharp intake of breath.

"It was an accident," You say. It's not a question but a statement of fact, which he's free to confirm or deny. Old newsie trick, all about the intonation. And not letting them see Your notebook. He sees right through it.

"As far as they all know, 'twas indeed just a sharp turn by Lady Luck. But some'ow I senses yer not convinced by such sailor's talk."

Not in the slightest, chum. But You've still plenty more tricks up Your sleeve. You remind Yourself that a barrel of dynamite, though it might be mighty hot, is still mighty dangerous. You don't know how embedded he is in all this.

"What other explanation might there be?" You say, giving him a smirk which You hope comes off as benignly innocent.

He jiggles his belly again. Dammit. He really is on to You.

You glance back at the Mook. He's merely listening in.

"Well, some'd say sabotage, and since I did just vouch for ever' one o' me good men and not-so-much-men...well, p'raps ye'll be sayin' next that it has somethin' to do with that there envelope ye've been showin' around the docks."

"I --"

"Walls have ears, friends, and the folk of these harbours build walls."

He's leaning in close now, and You and the Mook bend to meet him.

"Weren't no accident," he confirms. "But that's all I might say when there's this many ears as can do the hearin'. Take an old Capn's advice, pal, and p'raps don't go chasin' after those who can chase back, and twice as fast."

Ah, nuts. To hell with that pretence.

"Perhaps we weren't formerly introduced. The name is Jackie Cardinal, Captain, not 'Pal'," You whisper. "And I ain't exactly accustomed to giving up when it comes to the truth. Ask anyone who knows how to read."

He puffs at his pipe and chuckles. It's like coming across a waterfall in a cave, luxuriant and deep. You try to stop yourself shuddering.

"So, it's truth yer after, eh? What kind of truth, then? The truth that 'good work means good wages and a little extra so the missus can rest easy for a while', or p'raps the truth that 'twelve good souls and true might clap a man in irons if'n the coppers says they saw him lookin' funny at a lady 'cross the street, even if 'e were asleep in his bed at the time'? We knows, men like him" (he waves at the Mook), "and I; we knows that the truth is no fancier than mess on yer shoes to the likes of those that really run the show, and even a lil trooper like Jackie Cardinal comes to be at their mercy sooner or later."

(Why the heck does everyone keep callin' You little? 5'9" as You may be, that's still 5'9" and however-many-pounds of sheer damn determination when You need it to be!)

"Cards on the table," You growl, standing to rest Your palms across the desk, leaning all of that determination over this handsome bastard so that Your shadow crosses his face. "What can You tell me about the Order of the Throne?"

He puffs at his pipe again.

"Enough to know there's worse at sea than whales and sarpents, and worse that they's on dry land can do to a man than a broken shin-bone. And I ain't in a hurry to find out how much worse. Thirty year I's been a hard-workin' man, on sea and shore, and never before let man nor devil get the better 'a me. But sarpents, devils, these is stories. Real people, what they can do to yer..."

His hands lift to the top of his head and descend gracefully, taking in his entire, deeply desirable frame.

"You look healthy now," You reassure him. It's not a lie. Even if You can't get over the gorgeous salt-and-pepper traces in his beard or wonder how that baritone voice of his might sound if it were serenading right...right next to Your ear...You have to admit, for a man with a broken leg and that much extra weight he still seems strong and capable. "Wouldn't be surprised if you were back on your feet in a week or two, frankly."

He accepts the compliment with a wink and a grin.

“That's kind enough, and true. Mind, but if ye look at me afore it happened…”

He taps at another framed picture on his desk with the tail-end of his pen. It depicts a rag-tag group of sailors posing arm-in-arm aboard the lifeboat of the Remora, another trading schooner, suspended on its side. Darius clearly stands in the middle-left, a mere shadow of his future self, taut muscles shining in the sun alongside his comrades. He's wearing a smaller captain's cloak and grinning at some joke along with the rest. Unmistakably the same man...give or take a fair few ounces.

The date scribbled in the corner, against a light cloudy sky, is from this summer. You do the mental calculations. Holy Moley. That's three months.

Three months, and he more than tripled in size, on a broken leg. You don’t need to be no scientist to know that doesn’t track.

For a moment, You think back to that lizard in the Perfesser’s paintings, the ol’ Ashy-Lottie or whatever it was. Small and crafty, keeping their heads down and out of danger for however many years, only to find themselves yanked out of the familiar waters they call home and pushed into an adulthood they never wanted. A great and unfamiliar growth...a form they were never meant to take…

Your tummy growls, nervous.

“How’s...how’s your schedule, Mr. Woodburne?” You ask. “Keeping track of everything?”

The Captain's look shifts from curious caution to disappointment. Near sadness.

"So they've got to yer," he sighs. "They're workin' on yer already. You must've pissed them off a treat."

"Then this is them?" You reply. Your heart is pounding. You turn, looking for prying eyes. "They're why I've been losing minutes, hours even?"

The Mook looks surprised. He leans down, puts a paw on Your shoulder. “Jackie...how you know this happen?” he murmurs.

You whisper back at him. “You too? Since we met? Why didn’t You tell me?”

“I...embarrass. Scared. Not thinking…”

“We will discuss this later.”

He taps a meaty finger on his desk, like a judge’s gavel calling to order.

“That – and other things besides – is but a fraction of what they could do to an unwary soul. I know, seein’ as ‘ow they did it to me, and now look.” His hands clap on his rounded torso, not jiggling it, merely showing how impossible it’s become to fully clasp its’ expanse. “So I stopped askin’ questions, and learned, as I’ve done many a time, that there’s only as many times as ye can push, and only a few of them that ain’t gonna push back twice as hard.”

“We are not afraid,” says the Mook. You admire him for it. Whisper or not, this is clearly the voice that Woodburne brings out when he wants orders obeyed, and it’s chilling you as much as it is thrilling You. “They take from me...so much, already. Time, past, life. I want all back. I can fight.”

The Captain gives his ‘Gentle Giant’ another surveying look, shakes his head. Taking memories is a small thing to a man who's lost them already, and risked the ability to walk with it.

And...more than that. You can't tell what. Something that stirs his heart more than salt breeze and rum.

"You's educated, I can tell. You'll 'ave heard o' that clever-clogs some time ago, said e'd move the 'ole Earth if only 'e 'ad the lever long enough...an' a place to stand." Once again those big, powerful hands of his sweep upwards, trailing the smoke of his pipe, and mime the shape of a grand horizon. "They's standin' everywhere. You wanna find out what 'appens when they pulls them levers, Jackie Goddamn Cardinal? You want to find out who sits in the seat ‘o power?"

Cryptic. That's good. You can handle cryptic. Given the right person, it tends to mean "And that's all I'll say"; but with it always comes the extra "for now".

"Take my advice," he says, picking up his pen. "Do as I do and leave well enough alone. They's finished with me fer now because they can see I keeps me nose outta where it ain't wanted. Outta other people's accounts."

Bingo. You have Your next lead.

"Then I guess this interview is over," You say out loud, standing up. "A pleasure meeting You, Cap'n Woodburne. Sorry we couldn't work something out."

"Well, give that boss o' yours me very best," he replies, in just as loud and definitive a tone. Neither of You are fooling nobody, except maybe the Mook, poor boy, who looks as confused as ever. But You'll talk again, maybe when he can walk - waddle - to a place of security. Perhaps in a private cabin of his boat, with a nice glass of rum or two, and...

You let go of his hand, and clear Your throat again.

"Eh, thank you," says the Mook, bowing again. Maybe it's a tradition, where he's from. Woodburne nods, already engrossed once again in his paperwork.

You're ready to leave. But not quite ready. "Go ahead of me, kid. Clear the exits or some such," You tell the Mook.

He lumbers off peaceably. You shouldn't take for granted how trusting he is. Shouldn't take any part of him for granted at all. But I'm not there to tell You that.

You take stock, one more time, of the very desirable Captain Woodburne, who is busy ignoring You.

Time to take a dare, Jackie...

"Captain."

He finishes his tallying.

"Eh?"

"One last thing. Just between the two of us..."

There's that grin again. It's not just duty, You realise all of a sudden. He enjoys being in charge. Taking charge.

“What about Donaldson?” You ask. “What about the white cloak?”

His eyes don’t leave Yours, but his smile makes a hasty exit. And now he knows a fraction of what You know. He doesn’t seem to like that it’s something You know, because clearly knowing it makes You that much more dangerous. To him? To Yourself? Or maybe to everyone?

“What about ‘em?” he asks, and bends back over his papers.

So that’s that. You leave the warehouse with the gears turning unpleasantly in Your head, and find the Mook standing conspicuously in the evening mist what's rolled in over the course of Your conversation. For a second, You don’t notice why he’s so stock-still. Woodburne’s reluctance to answer Your questions disturbed You too much, and You’re not exactly paying attention.

The man waiting outside in the fog disturbs You a whole heck of a lot more, and that’s before he even fires the warning shot.

You can’t see him too well from this distance – he’s so close to the edge of the shore he might fall in, if a stiff breeze took him. You can see he’s wearing a beaten-up grey trenchcoat, and above it a mask, a white horse mask, eerily accurate but for the empty staring eyes. He’s holding something...unspecific that glints in the faint glow of the streetlights.

“Can I help you, pal--” You begin.

A crossbow bolt thunks into the warehouse door next to You, wide enough to be a deliberate miss at this range, and the Mook yelps with surprise.

You answer with laughter, hysterical and disbelieving.

A crossbow bolt? What the heck is this, goddamn Robin Hood?!

Heartbeats fill Your ears, rapid and frightened. You turn on Your heel, look for some kind of shield, but a large hand is shoving You aside.

The Mook has his gun out. It’s a big one, that You didn’t know he had.

“Run,” he says, and it ain’t a suggestion.

You run, amongst the sound of the Mook’s own retaliating warning shot, and hear the sound of panicking, yelling men clustering around. Like so many doomed souls before You there’s no choice but to glance over Your shoulder.

The man in the white horse mask has already laid out that smart-mouthed kid and shot the ankle of the older man who came to save him. He’s bent over that man for a second, curious, before punching his lights out too. He makes a meal out of it. He might be on something, You can’t tell. You’ve never seen that many punches extend from the arms of somebody sober.

The Mook. Where’s the Mook? You hear the sound of the warehouse door slamming shut, and more yelling from inside.

The White Horse turns and sees You running. He makes a noise like a guffaw, and shimmies his shoulders, the mask falling back for a second, swinging absurdly, as though the horse itself is rearing up behind him.

“COME AND SEE,” he screams, reloading his weapon.

Boots clattering on the cobblestones, he starts to stalk toward the warehouse door.

 

~~~~

 

The fog is getting thicker by the second. If You keep going, the warehouse will disappear out of sight. Not to mention You'll risk plunging into the sea. The Mook said Run, and You realise as You think it over that You started obeying before he even said it, that Your brain caught the word moments after Your legs did.

Are you a coward, Jackie Cardinal? Do you remove Yourself from these situations to live to scribble about it another day? Or do You get close-in and find out everything You can, make it all public?

The story is calling. But safety is tugging in the other direction. You could wash Your hands of all of this now and live a quiet life.

But the Mook is in there.

Goddamit.

Goddamit, You can't leave him behind, he's Your bodyguard!

You head back toward the warehouse. I can’t blame You. It’s what I’d do.

Time hasn't come that You'd arm Yourself with much more than a blackjack and a fresh knuckle sandwich. That'll have to do for now.

Got 'em ready.

You sidle up to the door. The sound of shooting has died down, and left plenty room for inarticulate yelling.

Take a peek.

It's like a waking nightmare of Yours. Mist rolling in among the shelves and stacks, overturned crates like tree stumps on a blasted heath. Stains on the floor that You didn't notice the first time, and don't want to think about now.

Heavy breathing.

Snickering.

You stick behind the shelves, weaving around them, treading only when you hear other footsteps. A scuffle breaks out in the dark - or maybe something got broken - and there's that laughter again, close yet distant, as though You're listening to something scuttling inside a chimney.

"Who is like unto the Beast?" he says, muffled. A little click as he readies another bolt in his ridiculous tinkertoy.

That voice was awful close, Jackie. And that tinkertoy can kill.

Tiptoe, tiptoe...

You spot him crouched next to an overturned shelf. He doesn't spot You. Too focused, You guess. In the distance, papers are fluttering this way 'n' that near a collapsed pile of crates, the sorry remains of Darius Woodburne's makeshift desk. Damn, guess he's going to have to invest in pigeonholes next time. You try not to snicker. Now is not the time for panicking.

On closer inspection, there's something eerie about the White Horse. He's bigger than he looked from a distance, beefy in the arms and legs and filling out that ragged trenchcoat, firm thighs crammed into stained white workman's pants. Under the lifeless eyes of his mask, set into the underside of the neck, are two glass lenses and a canister - the tell-tale signs of a gas mask, the kind they passed out in the war. A filtration system merged with a carnival costume. Huh. That explains why he keeps tossing his head back.

Seems Trigger here is real invested in nobody finding out who he is. Too bad for him You don't give a damn.

You're shuffling around, ready to advance, when You spot the Mook out of the corner of Your eye. Exactly as distant from the White Horse in the other direction, huddled behind the other shelves.

He mouths something that isn't so far removed from "I told you to run!"

You mouth back "Like hell!"

The lights shut off. Whatever the Mook has to say for himself is drownes in blackness.

"There now," comes the voice of Woodburne from out of the sudden evening gloom. "Yer surrounded, boy. I suggest ye skulk away while I'm feelin' generous, and wi'out a bullet in yer gut and all. After all, it's us as can see ye, not t'other way around."

He's not wrong. Though your vision is swimming from the sudden change, the most obvious of the indistinct shapes around you is most definitely the tall white one picked out by the flickers of moonlight. It's an inelegant disguise for a man attacking in the evening, You can't help but notice.

Unless he doesn't care. Unless he wants to be seen.

The thunk of a crossbow bolt slaps into a wall, and gunfire flashes in reply. Somewhere in those hurried explosions was a piteous cry, and You can see the White Horse writhe on the ground.

"FffUCK!". High-pitched and a little nasal, even while it sounds like it comes from the bottom of a well.

You sneak another glance. He's clutching at his arm. Damn, just a graze. From the snort of derision a ways away, it seems the good Captain is just as disappointed.

"And now look, yer gettin' dirty blood all o'er me nice clean wares. Here's another chance: stagger home, son. Tell them that's sent yer that Cap'n Woodburne can't be taken unawares."

"Oh sure, it's alllll about YOU!", the White Horse yells back, clutching at the rip in his jacket. He's not spouting cryptic nonsense any more, you notice. Like a spell has been broken, with the spilling of blood. "Hard as it may be to believe, pal, there's a couple things in this world that are bigger than yourself! Bigger than anyone in here!"

"Izzat so?" You can hear clicking under the quips, and You know this lull in the action won't last long enough to hear who gets the punchline. You're calculating Your stride. Three steps to get to him. Kick in the fork, blackjack on the face. Step on the wrist if he goes for the crossbow. It could work.

It will work.

Go time.

One.

Two.

Three.

Four?!

Shit.

Your stride has been altered, of late. It's off by half a foot or so.

You kick out anyway at the area of the White Horse's groin, connecting with something solid and hard that's sure to leave your big toe bruised, and let the momentum carry You forward, stumbling. Flailing. Your hand reaches out to steady Yourself and from the stickiness and the muffled guttural howl of pain You know You've found his wound. So now he's mad, and panicking. Getting into a crouch, good hand scrabbling for the crossbow, or maybe just a bolt. You can't let that happen, so your blackjack slams toward that wrist - misses - swing upward on the rebound, just touches the side of his neck. He pushes you back with more strength than You expected and You're sprawled in Your constricting skirt. It'll take seconds that You don't have to get back on Your feet and into a defensive position. Seconds that are all his.

Quick footsteps approach. They boom.

Fog spills around the lumbering Mook in the silvery moonlight, falling like a bear out of the woods at night, arms ready to squeeze or claw their way to victory. He's roaring like a bear too, almost like he can't help himself. He's back in the ring and can't wait for the bell.

From your position on the floor, it's magnificent. Your heart is beating right into your throat.

He slams into the White Horse and pincer-grips him by the neck and hip, still roaring; turns to throw his quarry against the shelves to their right; and just like that, it's over. He's standing there panting, and his opponent is sprawled on the floor and groaning into unconsciousness.

You flip onto your knees and crawl toward him, just one thing on Your mind.

"Don't--" says Woodburne somewhere in the gloom, but he's never heard that old advice about gettin' between a wolf and a deer. Reporter's instincts run deep, down to the nervous tissue, and You couldn't help Yourself any more than You could hold in a sneeze.

You paw at the face of the White Horse and peel it back. It's a struggle - clearly straps are involved - but with the Mook's help, the two masks come loose one after the other.

You look on the face of Your attacker, picked out in silver light. One of Woodburne's men has gotten a flashlight going while the others seek out the lightswitch and prop up the boss, and it gives You just enough to pick out individual features.

You look at the Mook. Back at the unconscious White Horse. Back at the Mook.

"...I don't know this guy. You know this guy?"

"Nicht. Also...is not guy, maybe?"

You look twice as the warehouse lights flicker back into life. The Mook is right. That's a lady...or it ain't entirely certain it's a fella. Their hair, golden-brown, is cut in the style of a Teddy Boy, an angry quiff that's a little unbalanced for the rounded head beneath, an uneasy crown...and underneath you see an aquiline nose, luxurious eyelashes, and pert lips twisted into a pained scowl. There's an imperiousness to the face that even shows while they're asleep, and one that doesn't fit their youthful exterior. If You met this nutball on the street You'd swear they were an eager debate Captain at Yale or somethin'. Maybe moonlighting at a drag club in their spare time.

But besides that, between the soft strength of their figure and the curiousness of their gender, You can't help thinking they're kind of familiar. It's been a while since You met anyone like You this side of the river. Almost like You'd forgotten there was anyone else...

No, You remind Yourself. The story is separate from You. The two do not merge. Whatever this person is, they're not the same. You are a cypher, an observer.

Their eyelids are fluttering, like a Princess in some movie. You raise a fist to strike.

"Stop!"

The Mook has his hand on Your wrist. "We need answer. Rope! We need rope!" He calls over his shoulder.

The men are milling about, antsy

"Talking, Revelation, she was," says an elder gentleman.

"Right you are, Peterson," adds Woodburne. "Chapter and verse."

Your blood is suddenly gazpacho, Your teeth locking together.

And he that sat on him had a bow; and a crown was given unto him; and he went out conquering, and to conquer.

They're getting to You. Worse than you thought.

"We're getting the Cap'n outta here," says 'Davey Boy'. "Whether 'r' not he likes it."

You can hear big burly men getting their hands under and around the biggest man in the place and almost feel a little jealous. It's the adrenalin talking. Probably.

"Commendable quick thinkin'!" You hear the old salt call out, from the other doorway, two men under each arm. "'Til we meet again, crewmates!"

And a good thing You've been moving quickly too, so your face is so red that no-one can see You blush. Ah, You've got a burly fella of Your own to deal with, anyhow.

"OK?" he asks, before You can voice the thought Yourself. This is good. He's doing the work.

"You're a heck of a bodyguard," You smile. "Not a scratch on me. Practically good as new. And you're holding up?"

He nods. "Chest...throat...a little raw. Have not shouted like that since God only knows."

"Take a breather. We'll regroup," You reassure him. "Go over what we know and take the edge off."

You accept his help to Your feet, and as You try in vain to wipe away the dust and grime that's coating your third-best outside coat, You laugh and give your bodyguard a friendly squeeze on the arm. It's warm, even under the coat. He grunts, nods in acknowledgment. You're paying him, but in a different way, You owe him one.

"C'mon, I know a couple places still open," You ask, beckoning him. Here's hoping he's not a whiskey drinker. It'd take maybr a bottle or two to affect him, what with muscle mass and all.

You catch the sound of hobnail boots too late.

Oh, Fuck.

There's a second one.

From the floor, You hear groaning.

Another horse mask, and this one more like off-white than white. Or a sickly yellow. Whatever colour it was, that's been drained long ago, bleached away, leaving behind a sight that seems predominantly...pale.

Oh, Fuck.

And his rider's name was Death.

"Thank fuck for that," says the White Horse. "Took you long enough, asshole."

The Pale Horse nods and raises his weapon.

It ain't no crossbow.

The Mook dives, and rolls You to the floor amid what sounds like two dozen tiny explosions.

"Shotgun," he wheezes, kneeling by Your side. "We should--"

"C'mon c'mon c'mon," You counter-argue, raising him by the wrist as best You can. "I am not leaving you behind again."

Papers are flying like snow around you. The boots stalk forward and You hear that roar gathering in the Mook's throat. Not this time, pal. Can't be a hero twice in one night. Men are already screaming and readying their own weapons.

For a minute you wonder if getting those answers is worth the risk, and then You remember the risk is some part of You getting ripped into bolognaise in a quarter of a second. You can't beat those odds. These guys are tough customers. And besides, they've fought the sea. That'll give 'em an edge.

An edge against death.

Grr. This pissant is not the Grim goddamn Reaper, Jackie, he's just some idiot with a gun trying to look impressive!

You close Your eyes and make a break for it, pulling the Mook along with you, and this time You don't look over Your shoulder.

 

~~~~

 

"We are going in circles."

"Keep moving."

Streets are erupting around you in a rude parade of hazy colors. People don't seem to have faces any more, just collections of features arranged in a so-so pattern. It's fine. Push past them, around them, weave up and down like a needle, closing the gap between danger and safety. The roar of motors is a drumbeat and the beeping of horns a fanfare. Marching tune. Pushing You on.

"Where are we--"

"Keep. Moving."

Cops are stalking around the street corners or squatting in their patrol cars like caged gargoyles. Last goddamn thing You need, 'cept for maybe choking on a lit stick of TNT. You've done enough press conferences and on-the-scene interviews to know cops can barely tell which ass-cheek is left or right without sitting down and having a good feel, and even then they might need City Hall to give 'em some pointers.

Cops can't hold back Death.

You're giggling under Your quick sharp breaths. This must be the big time. You ain't never been stalked by Death before.

"Is not 'Death'," says the Mook.

Oh. So You've been talking as well as giggling, uh? Bet that must sound normal. You're the picture of mental health.

"Is sick man in stupid mask. Or sick woman. Whatever. We are being too smart for them."

"Sure thing, Mook," You say, shaking Your head. "We're too smart for 'em." He's a step behind You, and You're faintly aware his energy might sap away any minute. Same as Yours. Adrenalin fatigue or somethin', Doc calls it. Better to be indoors and safe when it happens.

A big guy in boots and coat and fricken' horse mask might be easy to spot in a crowd. But masks can come off. And You don't know his face, and he knows Yours.

A block falls away wordlessly behind that little humdinger of a thought and You round the corner to the blinding light of a glowing marquee. DEMILLE DOUBLE ILL, it reads. 2 PICTURES FOR A FOLLAR.

Movie House. Perfect. A big dark room with comfyish seats and too many bystanders for a stramger to reliably pick two people out without getting close enough for a fist in the face.

8 PM. The newsreel should just be getting started.

"In here," You order. The Mook shuffles along behind.

Tickets. Cash. Change. You're sweaty and tired and Your "date" looks incredibly dubious, but there's no time to debate hairy eyeballs with the kid in the booth. The two of You breeze past the concessions, not without some willpower on Your part, to disappear into the comforting darkness of Screen 5, Seats H13 and 14.

"In an address to the United Nations, the Danish delegate expressed scepticism in the success of the European Economic Area, saying that..." the cut-glass voice drones on and fades into the hum of blood rushing through Your head, the marching band winding down into a soothing lullaby.

The cushion of the seat is sub-par, but may as well be goose down on Your overtaxed thighs and suddenly blissful bee-hind. Safe. Temporary, but comforting. A couple seats closer to the middle would have been less conspicuous, but You're happy to make do with the very edge.

The Mook has plumped down next to You and his plush arm crowds Yours on the arm-rest. You don't mind a bit. Better to keep up a plausible story. You curl Your own arms around it and lean in, moving Your hat to Your lap as You bury Your cheek in his warm coat sleeve.

He sighs the sigh of a big man, warm breath fluttering past Your frazzled hair.

"Jackie..."

"Hush. Plausible," You mumble as sleep overtakes You.

You drift into a semi-coma, waiting for the cameras to begin tonight's showing of what the marquee called "SMASMOM & DEELAH".

Halfway into the first reel, Your beauty sleep is broken. Your makeshift pillow needs something.

"Jackie," he whispers, "you help me."

"Sure thing," You reply, not opening Your eyes. "One good turn deserves, an' all. You guard my body, I body your guard..."

"Jackie, you help me now? Please?"

There's an urgency that You missed the first time. Adrenalin clocks in for a second shift. Probably needs the hours.

"Whass goin' on?"

"Guy must be lost by now, or give up. I think, carry You out, catch taxi. But, uhhh...difficulty."

"Ah c'mon, I ain't so heavy you couldn't sling me over yer gee-dee shoulder. You've handled potato sacks before, right?"

"Not difficulty with, uh, you. Look..."

You look. Ah, right.

You don't think the ushers get paid enough to be bothered with situations like this. So it's up to You.

It appears that the Mook made a couple calculations upon arrival, and - while one of the sweeter and more courageous ones - he is still very much a Mook. Clearly he thought that these seats would have both the sturdiness and the capacity for a gentleman of his considerable heft. And from Your recent if brief knowledge of him, You know he wouldn't have asked You to go back and buy another ticket.

So he's...yeah, the boy sure is stuck, huh?

When he settled in before, You mistakenly thought it was his arm jostling for space with Yours over the side of the armrest. Not so: that was one of the rolls of flab spilling over his middle, apparently. The waves of them under his shirt bulge and stick beneath the arm-rests and his back-fat is crammed into the narrow passage of the seat as a result. You lean over, try to get as discreet an appraisal of the situation as possible. Huh. Kinda resembles a muffin spilling over one 'a' them little paper things they serve muffins in. The name escapes You.

Your hands have been absent-mindedly rubbing his shoulder as You take stock of his...situation.

"Help," says the Mook, quiet but firm. He's already red in the face.

"Have ya tried--" You shake Your shoulders like a worm. "Shimmying?"

"Yes! Did not work! And is not funny!"

"Sorry, sorry," You turn away, trying to think of tax returns and sick puppies, glad he took Your smirk as a sign of good humour and not as the embarassed blush of someone who is bewildered at how deeply cute their bodyguard has suddenly become.

"OK, let's try...uhnff." Your hands attempt to get between the fuzzy arm rest and his belly. It's a no-go. Razor blades would have a tough time trying to make it in that gap.

You're a reporter, not an engineer. How do You solve this without drawing the fire department over and blowing Your cover?

You peer around to the seat at the very edge, finding a young girl apparently thumbing through a book, less-than-enthralled by the steamy performance of Hedy Lamarr and Victor Mature.

"Psst. Kid!"

The girl sighs, flips a page. The Mook obligingly pats her on the shoulder.

She leans over, cupping a hand to her ear. "UH?"

Her elbow is buried in the Mook's belly, sinking in. He's already beet red and doesn't need the extra physical attention. You tap the offending arm lightly as You hiss.

"Need a favour. My, my boyfriend here--" You squeeze his arm in a parody of affection. Bad, Jackie! He's not the only one at risk of turning red! "--finds himself in need of physical assistance exiting his seat."

"Okay, maybe don't say it so loud," she hisses back. "I ain't judgy, but cops go to the movies too, ya know?"

Huh? Oh. She thinks You're a guy. Must be the way You hiss. And she thought...hm. But she's no rat? Good on her.

"That sure is considerate of you, uh--"

"Marion."

"--Marion, and now You know why my 'business associate' and I ain't calling the fire department. Hence why I'm askin' nicely for some assistance."

"Well whaddaya expect me to do? I ain't no weightlifter." She looks up apologetically at the smoulderingly embarassed Mook. "No offence, honey."

She's got a look to her, this Marion. Ain't pretty or ugly by anyone's standards, not even a "Plain Jane". Just someone who apparently doesn't think twice about taking herself to the pictures when nobody else is going. Doesn't mind buying herself popcorn, neither.

Somewhere in Your head, the lightbulb flashes.

You start thumbing thru Your wallet. "Run out to the lobby and grab me some..." You pause mid-thought. Lubricant is definitely needed to alleviate this situation. What isn't needed is a scene, which is what's going to happen when a snot-nosed craterous teen is asked by a - by his standards, You'd bet - blushing love queen to fill up a cardboard tub with greasy melted butter, especially if he subsequently decides that the manager is more of an authority in heated dairy product.

This calls for some careful strategising.

"...Get a large popcorn, but tell 'im the butter needs to come separate. You got a guy who's fussy, needs it poured just right."

"I dinnit come in with no guy."

"So you just met and he unburdened himself to ya about his horrible popcorn problem. What, you're going to question him? When he's relyin' on you for help? Don't'cha know anything about dating?"

Marion blinks, lips forming syllables as she parses what You just asked her. For a moment You wonder if she's going to start looking around for this mysterious hypothetical dork and his sensitive tongue.

"Just get 'em, separated."

"Why should I? You're screwy, pal."

"You know who else was screwy?"

"Yeah, who?"

You hold up the bill in the dark. "President Andrew Jackson. Now what say you and he get better acquainted in the lobby with some popcorn and butter, and I'll let you keep the change and introduce you to his twin brother."

There it is, the magic words.

"You got it, Mister!", and away she's gone.

You pat the Mook's hand. Comforting. Collegial.

"You're gonna be fine," You say, as much to Yourself as to him. "It'll be...interesting, but we'll get You outta there."

Maybe You should ask him to try again when Marion gets back. The two of You can split the popcorn while You watch No No Dammit Jackie!

You turn back and cross Your arms and try to concentrate on the movie. It makes little to no sense. You never had the head for Bible studies anyhow.

It's not five minutes before Marion is back again, and You're happy to see the ruse took. A big carton of warm yellow grease awaits Your grubby hands.

"OK, Marion. You feel like doin' me an' ol' Hickory one more favour?"

"Who?"

You sigh. "Just start greasin' him up."

Four hands begin dipping their fingertips in warm melted butter and smearing it around the Mook's belly; two heads dart this way and that, checking to make sure they're not getting any attention. Marion is probably checking to see if anyone is staring, though whether she wants that or not, You've no idea. It suits You anyway, seeing as this way she won't question why You're staring too.

Just because the Mook thinks the Horses have galloped away into the meadow, that doesn't mean You're so trusting. Horses have long memories, and they bite.

The Mook is staring at the movie screen, trance-like, attempting to remove every part of himself from this situation except for the very solid part that he cannot move by his own power.

"Thank you," he mumbles, half-conscious. Poor guy. Coulda ridden on the high of saving Your life all evening, and this happens to him.

"It's gonna be fine," You whisper.

"Yeah, just relax, Toots," adds Marion.

You take a look at her hand. It's moved around from the vital work it was doing at the sides and it's rubbing around the front of his belly now, just where the navel is. Long, lazy circles, turning the fabric transparent as she gives him a warm and reassuring smile, like she's petting a dog to sleep. You can see the light fuzz around his underbelly now, whenever the movie cuts to a shot with a lot of sunlight. You can see the slope of his belly, the round shape of it, traversed by those red-varnished fingers, so tiny by comparison. You get...feelings. Hot, impulsive feelings.

It takes You a second to snap Your fingers, slippery as they are now.

"Marion. You payin' attention?"

She looks down at her left hand and whips it back, back into the butter. "Oh! Whoopsie. Sorry folks...guess I uh, got side-tracked. From, you know. It's fun," she whispers. Her right hand is still lubricating him. She gives You a guilty look.

"Stop being ridiculous, kid," You reply, lying to her, and to Yourself.

This whole thing is ridiculous. You've already privately told Yourself that several times. Jackie, think about how ridiculous this is, how the two of You came close to risking Your lives just hours ago only to get stuck in a cinema seat...and maybe, just maybe, You’ll lose focus of how fun it is too. You were fleeing on foot from a psycho in a rubber mask, a psycho You were panicky enough to believe was the grim reaper. Now You're doing the job of a human crowbar. What a life.

"That about does it," You whisper as the last dregs of butter apply. The Mook comes back to Earth, apparently having missed the conversation happening around him. On the screen, Deelah is striking a confident pose as she mounts her chariot, planning on leaving Smasmom in the dust in their native...wherever. Bethlehem or somethin'. In the seats, the Mook is squirming a little, maybe still convinced he could try and lift himself out of there with strength alone. Sorry, buddy, that ain't happenin'.

"Stop movin' and let us work," You reassure him. He sighs, nods, sinking back down, legs spread like a big stuffed teddy bear. You try to think about anything other than big stuffed teddy bears. It does not work. "You're built for muscle in the top, not so much the bottom. Them legs were only used to carrying You around while Your fists got You into scrapes, and that was before You, uh...branched out," You add, patting his belly again. You catch Marion's attention again.

"Fingers under his rolls," You instruct her. "I'll do the same. When I count to three, all of us - and that includes you, Mook - start pushing in the same direction at the same time. Got it?"

"Ya countin' to one or zero?"

"Just...when I say 'go', Marion."

"Gotcha."

Your hands slip under. It's soft. Everything about him is...so soft. He makes a low grunt in the back of his throat and reminds You that this ain't exactly a barrel of laughs for him.

"Three. Two. One. Go!"

You two around him begin levering his bulk upwards, while his legs go rigid and push. You're reminded of a raucous party in Your scandalous days where someone tried to get the champagne cork outta the bottle with just their fingers, two people tugging on the guy holdin' the bottle and two more pulling the guy holdin' the cork. It did not end gracefully.

Again, You hope nobody's watching, whether or not they're trying to kill You.

The Mook's shirt slips off the underside of his belly oh-so-easily, exposing reddening skin and redder stretchmarks under downy fuzz. You get a good grip and heave again. The butter is working, but it's still an uphill challenge.

"Teufel!" He groans.

"Nuther...minute..." You reply, soft.

"Hold on..." adds Marion, drawing breaths. You should really thank her for being such a good sport. But there again, she has nearly 40 bucks of Yours already. And maybe she's being a little more than a good sport, come to think of it.

As discreetly as possible, the belly comes loose. The Mook sighs out, but it's not the end; now he's awkwardly half-standing, hips still wedged in there. And those hips, suet-wrapped as they are, are still hard bone underneath.

The Mook grunts, arches his back, massages it a little. The sooner this is over, the better.

"Right. Unless you happened to get two things of butter, Marion, I suggest you wind up for round two."

"But, uh, hold on, though..."

"What?" the two of You ask.

"Did you try..."

"FER THE LUVVA PETE," comes the voice of a patron in the row behind You, at a little over normal speaking volume. "THE ARMRESTS GO UP!"

"...yeah, that," Marion finishes, thunder thoroughly stolen.

 

~~~~

 

The Mook suddenly relaxes his movements, exhales deep again. Shifts to the left, squishing up against Marion (who squeaks like a mouse in surprise), and tests the armrest on his right...which slides past his hip with a satisfying little noise.

He steps to his feet, rocking from one to the other, and begins to shuffle out, clenching his fists all the while.

"Bout time," says Your mysterious helper. He is rewarded with dark glares from You and Marion as You shuffle out after him, and someone from behind that row telling him to pipe down, the good bit has only just begun.

"Mook - Dimitri," You plead as You follow him out of the screening room, into the corridors. "Look, it ain't that bad. Just a little accident."

"We go home, now, okay? Or to hotel. Please. Tonight has been...spinne. Just, spinne. Let us have a break."

His lumbering march is areested by Your hand, hook-like, under his arm. You're pressing it close, but just touch won't do. This is the horse that needs coaxing with words. You're good at words, Jacks. If You've got anything else, You've got that.

It only takes a moment to think.

"Hey, champ."

He blinks away a hot tear, wipes it with the heel of his hand.

"I'm in your corner. You know that, right? You showed up for me today. Fought for me. I don't forget somethin' like that. Far as I'm concerned, all of this was just a minute on the ropes and a little towelling off on the head. You remember Joe Louis? Up against Schmeling in '38?"

"The second match," he nods. "Great fight. Good radio."

"Joe didn't need to go back in that ring. He mighta taken a fall, but he coulda walked away and disappeared into retirement. But he came back 'cuz he was world champ. And when he won, the whole world knew. And then he kept winning, all through the war."

Your Dad let You sit up and listen to the radio when they replayed that match. Boxing's never been Your sport, but You couldn't resist a bit of history.

"He that guy buildin' the casino in Vegas what anyone can go to?" asks Marion.

You turn back. "Thought you might wanna finish the movie."

She shrugs, bashful. "I seen it before. I ain't never seen nuthin' like this." Sensing that this is not an adequate answer, she adds: "Besides, I just remembered I hate popcorn what's got no butter."

You exchange looks with the Mook. He snorts.

The three of You laugh for a little while. It's good to laugh, feels like a cleanse.

"Fine, walk with us," You tell Marion when You're all finished. "But You buy this time, I'm outta Presidents."

"You have safe place to stay?" asks the Mook. Gentleman, like always. You're a little proud of him.

"Oh, is that an invitation, stranger? Thanks, but I gotta get back to the grind in the morning . Besides, You boys sure are cute, but I'm not that kinda gal. Mattera fact, we might have somethin' in common I'll have you knouuhhhhnnn..."

Marion collapses like a ragdoll all of a sudden. There is a dart in her neck.

The ticket guy is different.

He's different, he's older and broader and got no hair and the other guy, the kid is on the floor, and this guy just knocked Marion out--

Panic has shaken Your sense of time again. Your hunter has already crossed the space between You, hands thrust in his pockets. Musta leapt over the counter. How's a man that big so stealthy...?

You look at the cold, wide, smooth face of the man beneath the Pale Horse. He looks like the Mook: broad, but hard, though bald. Other than that, he doesn't look like anyone at all. You might find it difficult picking him out of a lineup.

But his eyes...they're heavier than the rest of him. Heavy like a soldier's back that's carried eniugh of his brothers. What they've seen has burdened them.

The rest of him is walking, but his eyes are dead already.

You widen Your stance, curling up Your fists, hearing the Mook's groan of frustration behind You.

"What...what do you all want with me? With us?"

"I show you the Stone," he says. "The Sword. The Scabbard."

His voice is like an engine turning over in winter.

Your nose wrinkles.

"What?"

"Come and See," and he blows a cloud of dust in Your face, streaked in warm autumnal colours. Red, copper...yellow. You cough, bend double, Your mind screaming with Your old uncle Chip's stories about mustard gas in the trenches, of a man's body attacking him and eating him alive. You're flailing, connecting with nothing, desperate to get air even as a familiar haze settles over Your vision again, and as You fall to a kneeling position the lights seem to be flickering.

The last thing You see before You both hit the floor is the Mook coming at the Pale Horse with a wild haymaker and missing by inches--

 

~~~~

 

 

 

--and You wake up with Your mouth full of something spicy, salty and entirely delicious.

You've been moved. Or You moved without Your knowing. There's people bustling around You and Dimtri's table. It's lower to the ground than You're used to, covered in a tablecloth of a design You never saw before, and Your seats are more like benches, free of tormenting arm-rests or edges.

You are bewitched, bothered and most certainly bewildered. All that's certain is that whatever's in Your mouth is delicious.

And that boy, are You ever full.

You're more full than You've been in days, perhaps in living memory. It hurts. That's new. You didn't know it could hurt, not like this.

The Mook is beside You, also chewing. Thoughtful. Breathing shallow breaths.

Ah, hell. This is too good to spit out. You take a big gulp, wincing at the air that comes with it, further inflating the balloon You apparently have pushing out Your overtaxed skirt waistband.

Gllmph. What...Dimitri, do you--”

He shakes his head slowly.

Nicht. We were in movie-house, and now...” He looks around, narrows his eyes. "Now we are in falafel place."

You turn around. It's not untrue. You are in a falafel restaurant. It's dimly lit, romantically even, with ornate little oil lamps set up against the brick walls and inoffensive rugs hung every which way. The guys dashing in and out of the kitchen are exchanging words in Arabic. They're stressed, what with being open so late. Last You knew, dark had already fallen. It's probably close to midnight by now.

You're not the only people eating here, but someone's missing.

"He does not see Marion," says the Mook, catching up quick. "But, well...quarrel is not with her. They leave her alone, maybe?"

Something like that had already occurred to You, in the minutes between waking and getting your bearings.

"She got a dart, and we got dust. That suggests there's different ways of dealing with things. People. I think she's probably fine. Somebody asleep on a movie theater floor is bound to attract attention, and ambulance - oooff." You stifle a belch. That's a little better.

The...flatbread sandwich thingy You were eating is already halfway to Your mouth again. You drop it, horrified.

"They're playin' a game with us," You murmur. "You know what else has four horses? Chess."

"But player has two horses each."

"That's right, that's right. Unless I'm otherwise mistaken, we ain't got no horses in this race. Which means...a longer game. One that includes memory-wiping and mysterious packages at night. Between two players, and we're caught in the middle. An' we don't know no Kings or Queens."

"I not understand."

"Me neither, buddy." You turn and snap Your fingers. The waiter arrives a full forty seconds after his attitude does. He's a young skinny lad in a perfectly-ironed outfit who looks Lebanese but has the accent of a long-suffering scion of the Garden State.

"Youse two wanna settle up?"

"Sure, rrurff, thing. First up tho, what's...in this again?" You answer his blank stare with a perky grin, which You hope doesn't come across as too ghastly considering the pain You're in. "I'm uh, press. Might wanna send the restaurant column guy here, but he's got allergies."

The waiter dabs sweat from his brow - You can sympathise, You've been around chefs before - and critically assesses.

"...it's a chicken shawarma wrap wit' extra tahini. Woulda thought ya'd know that by now, seein' as ya inhaled like two of 'em."

You balk. Reach out for a glimmer of hope.

"Between us?"

"Each. Plus salad. Now you gonna settle up before the guys in back quit on me?"

The Mook takes the initiative while You digest this information, and...digest everything else.

"We are...so sorry to keep you busy. Look, here is tip," he thumbs through his wallet, "and my partner, they tip extra. Was uh...anything strange, when we come in? We do not know, you say, protocol. New place to us. We do not mean to be rude to, uh, hard working stiffs."

The empathy is a nice touch. Though the bills may have done the heavy lifting.

"Come ta think of it, the two of yaz were...sweating when ya came in. And not so talkative, neither. Don't think we wuz the first place ya hit up tonight."

"And our friends? Did they stay?"

"What friends?"

"Uh. Never mind. Please to bring bill, and - doggy bag? Yes?" He nods at You. The wrap smells so damn good. Why do You want to keep eating it, when faced with the very plausible idea that it might cause You to blow up like a stick of dynamite, kaboom? Why not just leave it?

You nod back.

"Thanks for your patience...?"

"Whoo, big night huh? I toldja the first three times, it's Sal. Lemme get yer bill."

Your hands shaking, You take a sip of the cup in front of You. It's a soothing milky tea, far sugarier and spicier than the English drink it, and somehow Your stomach seems to like it too.

"Some subtle sleuthing there, Mook."

"No problem, Patzl."

Something is hanging between You. Not just the cement-like feeling of having eaten several delicious meals in succession, apparently in a drugged frenzy. Something dangerous and patient.

"You saw his eyes, dint'cha."

"I know those eyes. Somewhere." He waves a hand. "Days before I met you...confusing. Is like...puzzle piece in centre of puzzle."

Sal wastes no time in writing up Your surprisingly easy-to-cover bill, and even less in recommending the both of You a nearby hotel to sleep off the effects of Your hefty appetite. You reach into Your pocket, expecting that You're shortly to send this poor kid over the tipping point into a frenzy of rage by asking to open a tab...and find another envelope of cash, stuffed to the brim. Like for like, it seems. Sal's eyes bug out only for a plain second before his hand reaches out. You deal him his due, and then some, and some for the chefs as well, as honest as any beaten card-sharp.

The seal on the envelope is already broken, split by the volume of bills set inside. Underneath is scribbled in a hasty scrawl of pencil:

 

 

 

AND IN THOSE DAYS SHALL MEN SEEK DEATH, AND SHALL NOT FIND IT.

 


So cryptic clues are out. You know a good Mind Your Own Business when You read it.

This whole thing was another warning. You're getting closer than they'd like.

But why'd they hire You in the first place, if they want You to keep away...?

When Sal returns with Your change, You clap his back as though thanking him, and hand him another $10 as You lead in.

"Do me a favour, kid."

"Yeah?"

"If we ever come back, which we might, I want ya to keep an eye out, see? Make sure we're taken care of. And this is important - whatever we say, you remember. Write it down. This is all-important."

"And make it we say 'Swordfish'.", says the Mook.

"Uh?" Sal's got enough confusion to go around, and You're happy to take a piece.

"Swordfish," repeats the Mook. "Is secret password. We say it, You know is normal. We not, You uhhh...look after."

He pats his belly, which is straining against his shirt and jacket. "Look after more than normal, I mean."

The silence that follows is pierced, mercifully, by Sal's broad, raucous Jersey laugh.

"Sure, sure, pal, I'll see ya get everee little thing ya need. Now get outta here so's I can start cleanup."

The night wind on the streets is fresh, consoling You as it blows over Your flushed and dewy skin. The hotel is only a short walk...lumber...stagger away, and kind as that thought is, between You and the Mook it's not so certain the distance is worth crossing.

"It was a warning," You tell him when You're near the bus stop and can rest on a bench for a second. "They wanted us to know they can do..." You prod at Your stuffed gut once again. "This to us whenever they want."

"They're watching, then?"

You nod. "Rrarp. Could be anywhere." You're slouching back, rubbing at Yourself, anything to help alleviate the uncomfortable pain. The soothing feeling only lasts for a couple seconds, but boy are You ever going to chase those seconds again and again if You need to.

The Mook's hand hooks under Your arm. "Come, we do not fall asleep in bus shelter. Cops everywhere. No trust."

He heaves You to Your feet and You soldier on, despite the need to grimace. He's right; in a warmer, private space You can at least see and hear an intruder coming. Plus, who knows, if You sleep for a while maybe it'll be time to scribble down some notes and just about make sense'a all of this.

Because there's no way they've beaten You yet. The bloodhound has the scent, and they're going to chase it down until they find the rabbit in the hole. Or pheasant. Who knows.

The Mook keeps lumbering ahead of You and stopping to let You catch up. It's clear that he's used to a bigger meal now and then, can carry himself home on one. And since he knows what it's like, he don't mind letting his walking companion occasionally lean up against him to catch their breath. It's when he stops his careful lumber entirely that You know something's up.

"Hrm. Smell..." he says, wafting a hand in front of his face.

You smell, but more importantly You look. The late-nite grocery store is open on the street corner, dealing out rations and cigarettes and such to all those lonely nighthawks out there. And in terms of smell...there it is, the unmistakable scent of glaze, and strawberry filling, and little sprinkles. The olfactory siren song of the common donut.

"You gotta be kiddin' me."

He shrugs.

"Not kidding. Just...need to relax."

"That's how ya relax? At near-on 12i in the A.M.? After...all this? After this?" (You pat the doggybag in his left fist.) "After this?", and You tap at his belly.

Huh. Your fingers actually found 'give' in there. Hard, but still soft.

"Hrup. When I was kid, and when I trained...sweet things, they help. Is, urrarp, komfort."

"I oughta...fine, have it Your way. I'll wait out here."

"Get you something?"

"I..."

Your belly chooses this moment to make their opinion known. You feel the gastrointestinal equivalent of a load-bearing wall giving way, allowing the rest of the building around it to settle into a more roomy and spacious shape, and boy is it ever loud, louder than You've heard it sound as long as You can remember. Your tummy hasn't just grown curves, it's grown an attitude, and that attitude is surly and demanding.

You squeak in alarm, hiccup and draw Your coat around Your swollen, cantankerous middle. It's not at all possible You could be pregnant, for a wide variety of reasons, but damn if it sure doesn't feel and sound like it all of a sudden.

"I uhh, get you something," the Mook mumbles, turning away in embarassment.

"Just hurrrRRRRRARRURRP," You reply, and the hand not holding Your coat pulls Your hat over Your eyes, ready to let it swallow Your whole head, possibly fatally. You lean up against a lamp-post, one eye on the light of the grocery store door, the other winced shut.

Alarm bells are sounding inside Your head. The night air can't do nothing about that hot flush of Yours any more, any more than it can blow awaythe complicated feelings that are dancing a sweet merry-go-round on the inside of that wide-brimmed hat. You're leaning so hard against the lamp-post You might put a dent in it. You're red enough the taxis might start mistaking You for a stop sign.

In procession, across Your panicky consciousness:

This Is Going Too Far--

I'm A Reporter, Dammit--

So Goddamn Full--

What Are They Doin' To Me--

This Ain't Me--

This Ain't Me--

This Ain't Me--

...and all of a sudden, with Your back supported and Your mind occupied, You've found Your hands creeping underneath Your waistband and...cradling that grumbly belly of Yours. Hefting it, wiggling it, under Your coat, as though rocking a baby to sleep. Feeling the newfound extension of Yourself into the world, a depth - and width - that is entirely new in Your world. Never something You dreaded, but never something You thought Yourself capable of before. Sure, You've shoved a pillow under a shirt to keep Yourself from getting recognised - what's a wily reporter without their disguises? - but it never occurred to You that the real thing would seem so natural when it was sitting under Your skin, instead of under Your shirt.

You drum Your fingers, bite Your lip. It's a little unwieldy, and the gas is biting at You something fierce, but it's not...bad, per se. Kinda like a warm bath. Could be the Mook has a point about relaxation. Could be that Your belly has a point, too.

Believe it or not, right now You really could use a donut.

You cradle Your tummy. Lift it up. Let it drop, and bounce, inside of Your strained trousers, over Your stretched belt.

The words for how that feels do not come to You.

This, Here...This Is Me, You realise. Not Sure About The Inside...But This, For Now, Is A Part Of Me.

The thought can only last a second or so before You let it go again. After all, who knows who put it there? But You can’t help but miss it as it goes. For a second, You were almost certain of Yourself, confident in what’s going on.

You don’t hear the sound in Your throat – hard to hear anything under the merry-go-round going thru its’ cycle – but to any passer-by in the night, it’s clear. Big, tough, seasoned reporter Jackie Cardinal made the sound of a confused puppy-dog, while contemplating all this weight they’ve gained.

Believe me, to see from the outside, it's cute.

I'm not watching. Not possible, not at this point. I just heard about it a little later. If I could see You, You'd see me, and You'd flip Your lid.

But believe me, when it happens again - which it will, when I'm there to see it - it'll be very cute.

 

~~~~

 

Hurrying around a side-street, You feel the Mook's hand hook around Your upper arm and tug You to the right, through a short-cut of mild convenience.

"I thought we were goin' to a hotel."

"Not close enough. We go to my place."

You're suddenly a duckling following in the lead of a larger mallard through the cooling alleyways. You're almost walking like one, come to think of it. After a little interlude of twists, marked out by many a glance over Your shoulder, the journey comes to an end at a plain little apartment building at the corner of Cold Harbor Street. It's a nicer neighbourhood than You'd have expected - a good 'tell' is how distant the sound of sirens is - and a long run away from the docks. Or the Little Istanbul corner of the city. But not so far from a good number of bars with distinguished clientele and spacious basements. Hm...

When You get up to the third floor the Mook hands You the bag of dinner and the bag of donuts. He fumbles with his pocket, pulling out a key on a string. Wait, no - a band of elastic, the kind You get in underwear. Not exactly an unwise move. Someone's not getting caught with their pants down the next time they lose their memory. This guy's got hidden depths, Cardinal.

You wonder how much You oughta revise that opinion when You get a glimpse of his apartment. Could be he's been ransacked. Could be he wants it to look like it's been ransacked so he doesn't get ransacked again. Could be he's...not living the most peaceful life.

Could be that's something You two have in common.

You stagger inside while he busies himself with the lights, slipping off Your coat and crashing on to one of the armchairs immediately available in the front room. It's cosy. Not as cosy as some of the old favourites - the siren song of the Perfesser's fainting couch is wafting into Your mind even now - but a damn good thing for Your aching feet. You sigh, You groan, You spread Yourself. If You were a plant You'd put down roots.

"Need, hrnf, a drink?" asks the Mook. You hadn't noticed til now but he's a little winded from the stairs. Hasn't been training in a while. You also notice his jacket is off for the first time today, and his belly is poking out a little under his shirt. Bouncing as he takes those big shuddery breaths...

"Uh, it wise to drink right now? They still might be following."

"Psh. If they find us, they do what they want. Already have. May as well be komfort if happens."

"True enough. I'll take a beer if ya got 'em."

He shuffles off toward the kitchen. While he's away, rather than sneak a peek at his disappearing backside, You take in Your surroundings. Somehow in full electric light the place looks...no, it looks about the same, a collection of unwashed clothes and uncleaned plates carelessly placed on every surface amongst discarded wrappers and faded mementos.

But You're missing something. An angle, an aspect. You've had a long day and a longer night, and can't put Your finger on it. The corridors, the chairs, the paths between piles of garbage...why, it's almost as though all of this were...too big for the Mook.

But have You seen the size of him? He's no Darius Woodburne, but he's no weed either. Think, Jackie. You're so closr to it. Why is this place not the right size around its occupant?

"Beer," he says, handing it to You as he re-emerges. "And donuts, plenty of. Here, take."

You eye the bag, but a little gurgle from somewhere unspecific forces Your hand.

"These bakers, always give me too many. Think they think I need extra," he smiles, plumping down on a couple of kitchen chairs by the table.

"Ain't that a bite," You say, taking one. You lick sprinkles from Your cheek.

The Mook slouches back, itching at that little area of underhang exposed - Peekaboo! - underneath his shirt. He takes a swig of an identical pilsner, which almost disappoints You.

"What, no 'wodka'?"

"Huh?"

He seems genuinely confused by the question. Maybe it ain't the most sensitive one to ask. Dumb, Jackie, real dumb! He's going through plenty of weird stuff right now without You heaping Your weirdo sense of humor on his shoulders. He's carrying enough.

He's certainly carrying a lot...and all by himself...

You're staring at him. At that big belly You handled earlier today, underneath that shirt now marked with a continental map of stains. At that fuzzy, characterful face with its round cheeks and scars and that nose bent in the middle from too many prizefights. Cast in the olive-tinged light of the lampshades, and with...huh...the music of an Ella Fitzgerald record spinning in the background, excellent choice...he seems like a tipsy Prince, slouched back with his libations, waiting for merriment and diverson. His belly chomping down on his waistband just as lazily as he does a danish pastry.

He's staring back at You. To be fair, You are slouched just the same way.

You stretch, sip back a slug of that nourishing beer, attempt to reset Your mind. Professional Thoughts skipped town a good few hours ago, but maybe You can catch Collegial Thoughts at the bus station.

"Hey, uh, Mook. You're a stand-up guy," You say, and stand up.

"Oh, is nothing."

"No-no-no. I wanna get this off my chest. You went to bat for me at that warehouse. Don't think I don't appreciate it. And I'm going to write up the best damn, hic, story you could ask for."

You're better at holding Your drink than this, Jacks. Is all the sugar going to Your head at the same time? Heck, maybe it was a mistake to drink so soon after coming off strange substances...

"You an' me, we've started, hic, a beautiful partnership," You say, clasping a hand on his shoulder - his warm, soft, lovely shoulder - just as any person would to a brother-in-arms. "I promise, we're gettin' to the bott - to the truth of all this."

(Your eyes almost wandered downward. Good save.)

"We're stickin' together thru, well, thick and thin."

"Thru thick and thick," he chuckles, tapping his bottle to Yours.

No, that...that can't be right. You ought to slap him, or punch him in the arm, for that remark. That's not something You say to a colleague, nor an employer, nor someone who saved Your life, after You saved theirs. Not unless they've already got an established rapport, see? Not unless You know they liked it.

Even if they really, really did.

Even if between their legs, they're suddenly on fire.

You divert Your attention to the bag of pastries and fish around for something filled with jelly. Your damn fool head could use that treatment,maybe it'd get smarter.

"Thank you, Jackie," he says, almost whispering. He can tell he affected You somehow but doesn't know exactly how. He's being gentle with it. Somehow that just renders You further immobile, all save for Your questing hand, alighting on a chocolate eclair as You avert Your eyes to the heavens.

"I knew was good idea calling, er, 'Big Shot' reporter. I knew that was You, even if not before."

You sigh out, relaxing suddenly. OK, humor. You can do humor. Monkeyshines, shenanigans even. You turn back with a grin.

“I’m ‘Big Shot’ now, hah,” You laugh, slapping Your round little belly with both hands. “This. This is Big Shot. Say hello, Big Shot.”

You stuff the pastry in Your mouth, grab at pinches of flab through Your shirt as You munch it and begin to mime a deep baritone, expecting a roar of laughter from the Mook, maybe even wanting it, a little. He’s not laughing, though. Smiling, bemused, with his mouth; staring with the rest of him, eyes magnetically drawn to Your middle.

Pinggg!

What the hell? Are they – are they shooting again? You turn to the corner of the kitchen, half-ducking.

You feel the squirt of lukewarm cream on exposed skin.

A single shirt button reverberates on top of a bookshelf next to the slightly stained water-glass it just struck, settling like a gambler’s last chip. You feel the warm night air grace the stretched top part of Your tummy, now exposed. Another button or two undo themselves as fast as the guys who see the bar fight coming, giving Your puffy chest some exposure too. Your shirt is starting to resemble a bib tucked between the two widening expanses, which would explain the stains. Not that You care much, right now.

You’re bent almost double, panting, the cushion of Your middle preventing You from going all the way. Ridiculous to think someone could shoot through walls into Your kitchen just to have a crack at You. Haha, ridiculous! Just the picture of stupidity. You realise You’re giggling to Yourself and don’t know how to stop…

A warm weight settles on Your head. It’s the Mook’s hand, a human hot-water bottle, and the other has found Your shoulder. You uncoil.

“Is no big deal,” he says, soft, above Your ear. “Just a button.”

You bury Your face into his pillowy breast, heaving dry sobs. It’s safe here. His arms slip around You and reinforce that it’s safe here.

When he's cuddled You a moment, You pull back. Something got chomped off as You went thru Your moment of shock, and sits in Your hand. You look from it, to him. Both of You are aware of what's between You, aware of what's been left finished.

You pick up two-thirds of an eclair, and shove it in Your mouth. His hand on Your right shoulder, he touches the protruding end of the pastry - never taking his eyes off You - and begins to push it, slowly.

God. Yes.

You moan, a little, arch Your back, let Your throat go almost completely vertical as You feel cream dribble down inside You and spray over Your mouth. Arms limp at Your sides, until they're not, until they're rubbing at Your red, protruding tummy, until they're prodding and poking and elicting tiny little burps against the eclair that You're choking down, barely time to chew it.

Until they find themselves with a bigger, softer, heavier belly taking up all their attention, and You taste the salt tears of ecstasy and relief mixed in withe the sweet sticky excess of what You were just fed.

Gentle eyes, gentle as an ox, meet Yours from all those inches above You, and close as he eases the hairtie off his bun, letting a wave of brown hair settle on his shoulders like autumn foliage. He undoes one...two...three buttons, pulls the rest apart, lets that whole round boulder of a belly roll out and into Your greedy hands.

You're immobilised. You're kneading the dough, the hot, soft dough. This is better than anything You could have imagined. Angels couldn't pry Your hands away.

Tiger-like, he leans down and begins to lick at the cream on Your swollen cheeks, lapping the tears with them, almost in time with Your hot breaths, hands reaching under to hold Your back, clasp You against his chest close as clouds against a mountaintop, and as You gasp You hear the rustle of paper, and he purrs:

"Another?"

You wake up out of it, then. One half of You does.

You're so full.

Too full.

You don’t want another donut.

Nah.

That’s a lie.

You don’t need another donut, for any reason, in point of fact between dusk and dawn You’ve eaten more than You can ever recall eating in a week. You've had enough donuts that not only are Your eyes at risk of glazing over, Your whole head would probably following suit. If You poked in that belly button down there, the one that’s got suspiciously deeper of recent, You’re convinced You’d come away with sprinkles.

But You do want it. Because it’s in his hand.

"Yeemmmmmffl!" You concede, against what he puts in Your mouth. You can't tell what it might be any more. It's too good.

Somewhere in the apartment, Ella's recorded voice flows out.

"As Dorothy Parker once said, to her boyfriend, 'Fare Thee Well'."

He kisses You. His beard tickles, brushes Your own downy facial hair. You're laughing. Your hands are still underneath his belly.

As Columbus announced when he knew he was bounced…"

It's jiggling, wobbling in Your hands as You lean forward into the kiss, and You squeeze hard, 'cause all's fair in love and war, and Jackie Cardinal don't go down without no fight.

It was swell, Isabel.

His hand is on Your hip.

Swell.

He breathes in Your ear and You moan.

You moan: "More. More."

He puts another pastry in Your mouth, and cups Your cheek, and You moan.

You moan more.

That song is coming from the bedroom. You grin, and Your grin is sticky.

Sly dog.

Not for the first time tonight, he takes You by the arm and starts wordlessly leading You away.

The floorboards creak underneath the two of You, like You're boarding a ship.

Like You're going away.

 

~~~~

 

In the bedroom, something tickles the back of Your head on the inside. Something that immediately feels off about it. Maybe it's where the bed is, up against that opposite wall. Or the coat draped on it.

But You can't concentrate. Ella is louder, piping out of the old record player on his side-table, and the light is softer, cast from the window, and his touch is softer, and he's touching You, oh, he's touching Your cheek.

"Hey..." he mumbles, the one hand so hot and cosy around Your face, the other sweeping down, heating up the cold exposed patch of Your middle. "Hey, Jackie."

"Mmyeah? Hiccup."

"This...You are...clear? Yes?" his fingers drum against Your jaw. "In here."

If he only knew what's going on inside that heart of Yours, the words bubbling up inside that throat. You nod instead, vigorous. "I want you." Your hands find the excess of him, the flab that rests around his waistband. "Aw, hiccup, all of you..."

You get on tiptoes and lean in to kiss him, and stop a half-inch too short.

Your belly buttons decided to exchange kisses first.

It’s silly, and decadent, and enchanting, and You turn redder than tomato paste.

You bury Your face in his shoulder again, for comfort instead of just safety. You wriggle, buck Your hips back, slam into him and feel his deeper, wider belly button smooch against Yours one more time, give it a happy little peck. You do it again, and again.

"Oof," he says, and his hands are lifting You up under the arm-pits into a kiss, quick at first and giving way to another, hungrier. His beard tickles again, and You giggle.

"You, uh...got me right, hiccup, where ya want me, huh? Got me hoisted," You whisper into his ear. "Better decide what to do next..."

And You pause for a moment. The thought that came after it is colder than the others, and the coldness confuses You. It fit in perfectly. So why does it make You sad? Why wouldn't You say it out loud?

Pick Me Up, Put Me Down. While You Still Can...

Something to dream of, not to tell.

He turns, a quick thinker all of a sudden, to deposit You on the mattress, not too gentle, not too rough. You can feel sturdiness under this bed. Just what's called for.

The Mook doesn't waste much time unbuttoning his shirt. Better to just tear the whole thing open. He can get more.

Holy Hannah, he's hairy.

Holy Mackerel, he is BIG.

There was never a doubt in Your mind, but now You know it's not a dream. First come his two softened pecs, beautifully rounded out and settling like snow on the dome of his belly. The shirt peels off - both You and he are sweating up a storm - and as he struggles out of it his arms flex and ripple, the softness only serving to highlight the definition, cannons swaddled in velvet. There's a little of the old definition buried in his waist - his belly - as well, a pattern of bumps like the plates of a turtle's shell, the ghost of his pecs. You're already longing to run Your hands over that fuzz-lined tribute to powerful overindulgence again.

Then it's time to relax the belt - let the belly ooze out and over, come into its own, a waterfall breaking the dam. He turns to step out of the pants and You see that great swollen humdinger of an ass of his is still politely sheathed in cotton underwear - such a gentleman, still!

Which is all to the good, because in some ways You still want to take this slow. In many ways, he's still not seen...You.

It was always harder for You to disguise Your true feelings in the bedroom, maybe because You put so much energy into hiding them in the world. His slightly drunken smile fades for a moment as he catches You.

"You still..." he gestures, his paws circling the area of Your crotch and Your swollen middle, both still enshrined by Your shirt and skirt, even if the former is holding on for dear life. You shrug, giggle, obviously afraid.

You had this conversation with Kathy, and Mary, and Ron that time, and all the others. Every single one of 'em, You coulda thrown out the window if they gave You grief. Not a single one of them made You feel this...this alive. This feeling is big. As big as him, as big as both him and You, bigger than You and everyone You ever met.

You gotta be sure.

"Er, yeah, champ...I just...hiccup...we are doin' this," You explain expertly. "We are doin' this?"

"We are doing what You want," he says, taking a lumbering step closer. His thighs rubbing together, crowding one another, the noise of it, You, unh...

"So I figure I need to be...honest with ya. I need, hic, to...I want you to...to want all of me. All of what this is. Hiccup."

Now it's Your hands sweeping, from head to toe, red curls to calloused heels. "No small print, no retractions, no, bwurp, hic, no...no complaints."

He's stood by You, and takes Your left hand between both of his, as warm as a fireplace in a storm.

"I accept your body. I cherish your body. Otherwise, why guard your body?"

You definitely do not blink back tears, because You're not no sap, and haven't been waiting to hear that in years.

He wiggles his hips. Everything jumps, different speeds, different directions, hypnotic in the moonlight. You laugh. He laughs.

"And you want all of this," he says, slapping that big belly of his.

"Not sure I can, hic, finish it all," You reply, licking Your lips, "but I am hungrier these days."

Your belly gurgles as though agreeing. That does it. You sit up, pull off Your shirt, maybe quicker than he did his. Then...Your underwear too.

You’re exposed. Propped up in bed, naked, every inch of You – and there’s more than there’s ever been – vulnerable in front of him. Now or never.

"This is me," You say. “Hiccup.”

He takes no time to look You over.

"Hello, you," he says. His smile is so dreamy You might pass out. "What do you want to do?"

You tell him.

"Really? You sure?"

"After the day I had? Ih, hic, it's everything I want, sugar."

He squares himself by the side of the bed, puts his feet at shoulder-width, hands on hips, arching his back. Old pro moves. A fighter remembers his prime, his stretches. He gives You a daredevil grin You ain't never seen before, on anyone.

"Are you ready?" he says.

You're frozen. It's the same lovable giant face, the same hot-as-melting-butter body, but that accent...it's not the Mook accent. It's the same one as before. The exact same one as when he asked about 'Mae-Linn' that time. You’ve been waiting for it to re-emerge, for this extra little piece of the ever-expanding puzzle. You ought to, need to sniff out that clue and follow it to its conclusion.

But You're not going to, Jackie Cardinal, and I'll tell You why, for free.

You're not going to ask, because for the first time in Your dedicated career, You want something. You want it so bad, so hungry. You want it more than the story. And God help You, what You want so badly is him.

You nod, shy, hair fallen over Your face, covering everything but that deer-in-headlights look in Your eyes. Who’d ever figured You for a blushing flower?

He nods back, chins bobbing. He makes a careful mental calculation, and waddles to the side of Your bed, underbelly swinging.

The Mook falls on You.

It's better than You could have ever expected.

Your bellies, emboldened by those chaste kisses they shared a half-hour ago, sink into one another and begin to squish together with the luxuriant laziness of poured caramel.

Your own mouths are joining in the fun. You kiss down from the comforting fuzz around his cheeks to the plush depths of his neck. It’s a luxury, an experience. You can’t help but gasp for more. You can’t help but gasp especially. When Your mouths meet, he’s kissing a gulp of air into You, and You can barely just notice Your hiccups are gone. You’re swept away by the river. The river adores You.

"Look at me,”

Somewhere out there in the world You hear Ella Fitzgerald’s voice has changed track. You wriggle with delight, and squeal a little against his doughy-soft shoulder at the thought:

I'm as helpless as a kitten up a tree...”

He pancaked You so hard, the record skipped a whole song!

And I feel like I'm clingin' to a cloud...”

It's a slow tempo, and he moves just as slowly, and You can't help but adjust. There is nothing hurried about this love-making; it is lazy and luxuriant, the movements of two people who have all the time in the world to discover one another. And who aren't necessarily happy about breaking the bed while they're about it.

I can't understand

I get misty, just holding your hand...”

He’s not even gotten started. This is all just from his skin pressed around Yours. He's kissing around Your neck, giving You little licks, little bites, discerning and deliberate as a royal taster.

Maybe this goes on for twenty seconds, maybe twenty minutes. Parts of You ache, other parts of You burn, all of You is in sheer ecstasy, and he's still got his damn undies on under there...

And then he stops, and nestles his chin into Your shoulder to whisper.

“Uhhh, Jackie...”

“What?”

“I need you--”

“Oh, me too, tiger--”

“No, I need you to uh, well...”

His belly cuts to the chase, growling against You, complaining; even just the effort of crossing a room and falling on a bed needs replenishing. It tickles, the sensation, and You shudder. Wriggle against all that sweetness poured on top of You. Can't wriggle very far, or for very long.

“Look at me, Dimitri. Look.” Your faces are so close. “Promise me you’ll do that to my whole body again just one more time, and I’ll get you anything you want, for the rest of your life, guaranteed.”

He nods, thoughtful. "Uh, the donuts will be fine, please."

You pat his love handle, and he obligingly rolls aside, jiggling for a minute even as he comes to a full stop.

"Don't go nowhere," You smile, sashaying out the door. It's the most ironic thing You could say. So much of him is going in so many directions...

That cold thought occurs to You as You step back into his living room. He just rolled on You and off You, with ease. He's still got that muscle buried, swaddled softly in all that delicious plush fat.

For now, he's got that muscle.

And for now, You're small enough that he can really crush You.

But this belly of Yours, this red-stretched belly, didn't exactly spring outta nowhere. Even if it wasn't here a week ago.

Maybe this is too fast. Absurdly so. You've known each other a day and he's got no memories of the previous...who knows how long. And You're both swelling up, ripening, and don't know why.

But he saved Your life.

And You saved his.

And he just made You feel things...things that You've never seen written down, anywhere.

There's so much to teach You, Jacks.

I wish I had the time to cover all of it.

But You're not ready, not yet.

If what You don't know is an ocean, You're paddling up to Your ankles, and the tide is at Your back. It would be so easy to run back to shore, metaphorically speaking: even now You could bank the money, have this fling, go back to Your high-paced calorie-burning life and never bother about horsemen and codes and the Order of the Throne for the rest of Your born days, not even when the Pulitzer comes a-callin', not even when You're writing Your memoirs, not even when...

You're broken out of Your reveries when You shake out the bag onto a plate, and there’s one last baked good stuck to the bottom. Seems it got lost in the folds. It’s another jelly donut.

You reach in, peel it off and scarf it down like it’s Your last goddamn meal, not caring that You’re swallowing a scrap of brown paper with it. It’s so, so good. Too good. Your mind becomes a glowing blur of raspberry and sugar.

You close Your eyes, and the tide washes You away...

 

--( End of Third Phase )--

Notes:

No, I don't know why every 'You' is capitalised. It happened on a whim.