1 - 20 of 138 Works by euhemeria
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"I’m not attracted to her,” Ana insists, and this is not a lie—although later, it will be. Later, Ana will look at Mina, and wonder how she did not notice, before, the myriad of enchanting things about her. She will look, will see that Mina is beautiful, that she always has been, and she will tell herself that what she feels is not love, and it will be a lie.
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Ana falls slowly in and out of love with Liao, without ever finding the right words for what it is she feels for Mina.
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Always, in prior relationships, Mei knew that if she wanted to, she could cut and run; it is not so with Satya, whose needs Mei respects enough to know better than to not give her time to adjust to an uncoupling. She tries not to dwell on it. For now, she has a reason to stay.
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Mei is very invested in her relationship with Satya, but she worries that her unwillingness to marry, to commit to forever, makes it seem that she is not.
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If Angela wants to draw this moment out, wants to stay here, just the two of them, and ignore the outside world—that is fine, just this once.
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A few short, quiet moments in Angela and Fareeha's otherwise busy lives.
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She only knows what it is to be a mother to a child.
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Post-Recall, Ana tries to navigate her changing role in Fareeha's life.
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Desire (Are You Taking Me Home?) by euhemeria for sealfarts, binarylazarus
Fandoms: Overwatch (Video Game)
31 Dec 2024
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“I had a lot of time to think, staring at you all night,” Angela tells her, moving one hand down to the slit at the front of Fareeha's blouse, “And to imagine how easy it would be for me to pin you down and slip my hand in here.”
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Angela and Fareeha have a very nice end to their evening.
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Mina moves close enough that Ana can smell the hint of perfume that still lingers on her at the end of the day, floral, earthy, and warm, a Summer scent. Soon enough it will be gone, replaced with the stench of smoke. Ana hates that, hates the way she clings to Mina—hates that despite it all, Mina moves so easily to lean against her.
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Time and again, Ana finds herself choosing to do things she knows will hurt her.
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Slowly, longing crept back in.
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Ana does not have a crush, because crushes are for people who are capable of loving.
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Beneath the open sky, there is little risk of the suffocating feeling that sometimes accompanies trying to speak to one another without stumbling over the past. Here there is sun, and clean air, and the beauty of the garden. This is not a tomb.
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Ana struggles to understand that although Fareeha does not need her anymore, she still wants to have a mother.
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Shadowheart steps forward, a challenge. “And what purpose does this serve?” she asks, one finger on the strap of Lae’zel’s camp clothing, tracing a line down, down, perilously close to her breast.
“Pleasure.” There is always a dangerousness to Lae’zel’s smile, and Shadowheart tells herself that this, and this alone, is why there is a shiver down her spine.
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Kinktober with Shadowheart & Lae'zel. Ficlets occuring across all three acts.
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For now, it is enough for her to be vulnerable enough to ask for this.
“Hold me?”
And Fareeha does.
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Scenes from Fareeha and Angela's relationship, following a series of pride-themed prompts.
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Angela wraps an arm around her, then, tucks her head against Fareeha’s shoulder. “You know I’m no good at goodbyes.”
An understatement, if ever there were.
“Is this one?” She has to ask.
“No,” says Angela. “Not yet.”Or,
A little look into the goodbye Fareeha didn't get.
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She does not remember anything of what they said in the aftermath, and they have not spoken since.
What could she say?
I’m sorry might be a good start, for a number of reasons. But to apologize would be to invite a conversation about what happened, and that she has never quite felt ready for.Or,
After more than five years not speaking to one another, pulled apart by distance and circumstance, Angela and Fareeha find themselves reunited in the Recall. Angela is eager to rekindle their friendship, but with all the ways that time has changed them it may not be so easy to pick up where they left off.
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“Picture Monaco. It’s late, but you’re still awake. Maybe the mission has left you restless, maybe you took a long hot bath, enjoyed the jets, and you’re just now turning in. Maybe,” Angela leans down, over her, not touching, quite, but close enough that again, Fareeha can smell her perfume, “You dreamed of me.”
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Angela talks Fareeha through a fantasy.
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The more painful truth: she has become a woman Hadar loves more than she ever imagined she could, and still, Hadar has chosen her own ambitions over that love.
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Sometimes, things don't work.
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She does not know how to explain it, outside the language of courtly love, and knighthood, how to express it in any language other than longing.
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Brigitte asks Fareeha for relationship advice.
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“You want me to what?” Angela cannot help the shocked and amused laughter that follows.
“I’m sorry,” Fareeha is laughing, too, “It sounded a lot sexier in my head.”
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To be kissed by Angela is all well and good, but Angela has kissed her a thousand times, since the baby arrived, with varying intents and intensity, and none of it has been quite enough to make Fareeha feel desirable, or to make her feel in control of her body.
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Angela helps Fareeha feel sexy again.
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It is a singular experience, to have been unmade as they were, and to have been reborn anew, as some rawer, wounded version of themselves, to have had, thereafter, to claw their way back to humanity—or to begin to, in Ana’s case. She still feels a wild thing, sometimes, cornered and injured, ready to lash out. Genji is much further along in his journey than she.
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Ana sees how far Genji has come, in the time since Overwatch fell, and cannot help but draw a comparison to her own situation.
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She does not stand tall, she slouches, like she did when she was still a teenager, and studiously avoids looking at her mother as she grabs her mug and leaves the room. Because she does not look, she does not see the way that her mother is slouched over, also, the ways in which their conflict has made her, too, grow smaller.
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Another rumination over the space between an apology and forgiveness.
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“Nenet,” Angela repeats, voice softening ever so slightly as she looks at the dog, who perks up visibly at the attention. While Angela may be annoyed with Fareeha for bringing Nenet home, the same is clearly not true of her feelings for the dog herself. She bends down to look their new companion in the eye, “What has my silly wife gotten you into?”
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Fareeha decides to adopt a dog, and Angela is still unsure as to whether or not they're ready to be responsible for another being, canine or otherwise.