12 Works by writing_trash
Listing Works
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Summary
In the wake of tension the crop-eating parasites have left, Philip and Elizabeth Jennings are assigned to a project that should hit the Americans just as hard.
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Elizabeth has told herself that she isn’t interested in women, but the wine is going to her head and the way Sandra’s tongue darts out to wet her lips captures her attention for much longer than it should.
Sandra crosses her arms over her chest, and Elizabeth tells herself she isn’t looking. How could Stan ignore such a woman?
Sandra’s voice reaches out while her eyes roam over Elizabeth’s body. “Men are ungrateful.”
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A Bloodhound on a Leash by writing_trash
Fandoms: Criminal Minds (US TV), Hannibal Lecter (Hopkins Movies)
30 May 2026
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Emily could have been honest. She could have said that “close” couldn’t encapsulate the whole of their relationship. There was scarcely room for air molecules between them at times, and yet there was another side to this woman that Emily couldn't see. Couldn't grasp. She missed her chance once and now she would never get it back. Interpol and the Bureau were the only things that drove a stake between them. Emily Prentiss and Clarice Starling were as close with each other as they were with their oaths. Beyond their intertwined bodies lay the vastness of their careers that would never be revealed in their entirety.
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Was it the morphine, the pain, or was it as simple as the fact that James Wilson wanted his lifelong best friend to cross a line?
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It’s so familiar, the ease with which she and Stacy fall back into their old habits. Their relationship waxes and wanes like House were the moon. He pulls them away from each other and pushes them back. Unintentionally, which may be the worst part.
Series
- Part 4 of faith and devotion
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Cuddy can’t help but imagine that this is how Stacy looks when she prays. Kneeling, eyes shut, immersed in something she loves but doesn’t understand.
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- Part 3 of faith and devotion
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In her daily descents into madness—she felt much like Icarus melting against the sun—she recalled nearly every conversation she and Rebecca had, scouring for breadcrumbs. All she wanted was the faintest notion that Rebecca would be waiting for her.
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Stacy knows she’ll leave Cuddy’s house with a new job, bite marks on her thighs, and a rock of guilt in her stomach. She knows she’ll run her fingers over the indentations on her thigh for days, reminding herself of what she forced herself to give up. The only Dostoyevsky she knows reads itself over and over again in her mind: “Your worst sin is you have destroyed and betrayed yourself for nothing.”
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- Part 2 of faith and devotion
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"You are so very different from Rebecca.” She runs a hand down my side. “Rebecca would’ve had me on my knees by now.”
I blush at the thought. “Kill me or love me like Rebecca.”
“I’ll never love anyone like I loved Rebecca,” Mrs. Danvers murmurs, but she sinks to her knees nevertheless.
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“He’ll never forgive me.” Stacy brushes a hand over House’s cheek, her other hand still in Cuddy’s. One connection to House and one connection to Cuddy, yet static only pulses through one hand. If she closes her eyes, she can imagine the feeling coming from House. Her eyes are open. It’s not House.
Series
- Part 1 of faith and devotion
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What if they had been brave enough to indulge in the happiness they experimented with in Paris? What if, after so many brushes with death, they realized they only had once chance to live? What if they knew that hell is a cold and numb place, devoid of feeling and happiness?
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ich lasse dich auseinander nur für mich fallen by writing_trash
Fandoms: Tatort (TV 1970)
25 Aug 2025
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Die fehlende Szene vom Ende des: “Das Verhör.” Der Titel kommt aus eine Nine Inch Nails Song, The Fragile. Ein paar Sätze sind auf Englisch geschrieben, weil mein Deutsch nicht gut genug ist. Deutsch ist nicht meine Muttersprache, es tut mir leid für alle Fehler.