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His feet were moving before his brain had fully processed everything, and he was throwing himself down beside the backliner. There was nothing that could knock Jean down hard enough that he would not get back up again. He would only stay down if he couldn’t get back up.
Jean was pale, his pained breaths shallow.
“Show me what hurts,” Jeremy spoke as calmly as he could, but something wasn’t right. An eerie feeling hummed across his skin. He threw off his gloves and his helmet.
“I can’t, I can’t,” Jean was gasping over and over. His eyes were wide beneath the bars of his mask, gaze flickering back and forth up and down in a frantic pattern.
“What? You can’t what?” Jeremy’s hands hovered just above him, looking for the wound, the blood to staunch, something, anything he could do to help. He thought about stripping Jean of his gear, but thought better of it, not knowing where or what the injury was. A slow stream of blood poured from his nose. What was wrong? Why wouldn’t Jean just show him what was wrong? “What hurts?”
Jean’s eyes locked with Jeremy’s, grey and wide and terrified.
“I can’t feel anything.” It sounded like he was choking.
Bookmarked by DeadBoyWritingAgency
13 Feb 2026
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Almanac for the Living by iamawilderness
Fandoms: The Magicians (TV), The Magicians - Lev Grossman
11 Dec 2025
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“I wrote Q a letter, then me and Alice dropped it down a well at the top of the Mountain of Ghosts, yada yada yada,” Eliot says. “But I didn’t think it would *actually* reach him.”
Julia’s eyes go wide. “What did it say?”
He opens his mouth to tell her, but Quentin beats him to the punch.
“To Quentin Coldwater, before he went to the Seam: Come back, asshole.”
“Um. Yeah. That.”
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In which Quentin returns to the land of the living for the very simple reason that Eliot asked him to.
Bookmarked by DeadBoyWritingAgency
08 Aug 2025
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If there was a way to explain everything without a word by orphan_account
Fandoms: The Magicians (TV)
19 Apr 2020
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Eliot pulls himself from the past with a gasp, a skill he learned over years of trauma-induced flashbacks. He gives himself a second to remember where he was, what he was doing, and why Alice was tied up and unconscious in front of him.
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An exploration of season one episode 9, diving into a bit of Eliot's history and why he may have reacted so violently to experiencing the things they did.Bookmarked by DeadBoyWritingAgency
06 Aug 2025
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In his mind he repeats, ‘Tell me you’re not miserable, tell me you’re not miserable,’ Like a terrible mantra, echoing and echoing until it reverberates off of the walls in his mind, the walls in his home. He wants to fall to his knees and clasp his hands together in prayer. He wants to beg, plead, cry, scream, until his voice is hoarse; tell me you’re not miserable, please.
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Or: Eddie finds himself in poetry and figures out what he wants.
Bookmarked by DeadBoyWritingAgency
24 Jan 2025
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Charles Rowland may look like a teenager, but he’s distinctly a teenager of the 1980s, and no number of decades spent lingering as a ghost will change that fact. It’s only logical that he doesn’t have as easy a time confronting his sexuality as someone born multiple generations after him would. Nevertheless, when the boy more special to him than anyone else in the world confesses his romantic feelings, there’s really no other option. He has to grit his teeth and dredge up memories– some painful, others fond, most bittersweet– of his experiences in life that may or may not speak to his repressed bisexuality.
With the comfort of a good friend, maybe– just maybe– he’ll figure it out.TLDR: A flipbook of foundational moments in the life and orientation of Charles Rowland from 1980-1989.
Bookmarked by DeadBoyWritingAgency
28 Jul 2024
