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Martin saw his first monster at the age of ten.
He was in Brownies at that age, amongst a group of girls who could tell he wasn't quite like them. The scout leader had been talking about a camping trip for over a year at that point, and finally managed to organise it at a local site. A few girls complained about the dirt and didn't like the smell of the campfire and the portaloo, but Martin stuck with a small group of girls who he found huddled around a flipped over rock, looking at bugs.
He doesn't remember most of the night, in all honesty. They did the usual stuff you were supposed to do when you go camping: stories, songs, s'mores. Nothing too exciting. Then they all went to bed in their lackluster tents and sleeping bags.
When Martin woke up, he didn't know what time it was. Just that it was dark and the campfire had been put out. The girls in his tent were all still asleep. Sitting up and pulling his jumper on, he carefully pulled the zipper on the entrance down and poked his head out. He couldn't see much but the vague silhouette of the other tents and trees.
The woods at night were quiet. Martin closed his eyes and listened to chirping insects and rustling bushes. He's always liked the sound of nature. He lived near a woodland with a park sitting on the edge and he would lie in the basket swing and watch the spaces through the trees. Sometimes he would see deer or rabbits or foxes, or once, even a badger. He didn't have a sketchbook, but he would take some printer paper and a clipboard and draw the animals and plants he saw. Not very well, mind you, but he would sometimes convince his mum to let him keep his favourites stuck to the fridge.
Martin was snapped out of his thoughts by a loud rustle in the foliage, and a hush fell over the woods. A true silence was left ringing in his ears and he turtled into the neck of his jumper. He vaguely remembers, from a walk through that woodland with his father, being told that silence is the most dangerous sound in nature; it means everything that could be eaten has run away, leaving only the thing looking for something to eat. He fumbled for his glasses behind him, not taking his eyes off the treeline, and shoved them onto his nose. It didn't help much, but it wasn't as blurry anymore.
Amongst the black, he saw something shifting, heard the sniffs of a large nose. Heavy, yet careful footsteps made their way through the bushes, and into the campsite. Now out of the trees, Martin could see it clearer.
The creature was enormous, hunched unnaturally on four legs and covered in thin, dark hair. The skin underneath was pale and covered in painful-looking stretch marks. The paws didn't seem like paws at all. They looked more like hands, with elongated fingers and harsh, ragged nails. It was almost person-shaped. Almost. The hunchback made it look like a man trying to walk on all fours, on his hands and feet, but it moved so fluidly, like it was used to it.
Until it stood up.
The thing rose onto its two hind legs, pushing at the portaloo with its knobbly hands, towering over the thing by easily two and a half feet. The small stall rocked back and forth, clattering as its balance was tested. It chuffed as it tried the handle with clumsy fingers, then moved on to investigate a tent.
Looking back on it, Martin knows it was a terrible idea, but his mind had filled with the awful image of this creature—this monster—getting into the tent and ripping the girls inside to shreds, and he simply acted in instinct. He blindly fished the wind up torch he brought with him out of his sleeping bag, and turned it on. The crank made an awful, loud clicking noise and the light wasn't very bright, but the monster still squinted at it.
Big reflective eyes stared at Martin, the lumbering body frozen in a startled turn. Its hair stood on end, teeth bared in its snout and stained with something dark, and it stared. It stared and stared and didn't move a muscle. Martin stared back, suddenly cold with fear. It raised a long, slender finger, the tip thick like a paw pad, the nail curled and yellow, and it held the finger to its lips. Like it was telling—no, warning—Martin to be quiet.
The light faded out. Martin didn't rewind it. He listened to the creature disappear back into the woods. He did not go back to sleep that night.
The first monster Martin saw, he discovered many years later, was a werewolf. And it sparked what can only be described as an obsession.
From that point forward, Martin found everything he could on monsters, ghouls, and cryptids. He found books in the library about Mothman and the Loch Ness Monster and Krampus, and checked them out, much to the dismay of the librarian. He copied the anatomical sketches into the jotters he took from the supply bin in school and proudly showed his teachers, who replied with a concerned grimace.
(To be fair, he doesn't blame them. He was this specky little eleven year old holding up drawings that might as well have been props from The Shining. He once heard a teaching assistant mutter 'Redruuum' behind the teacher he was proudly showing a picture of Bigfoot to, and she was quickly sent off with a glare.)
The interest only got worse as he grew up. He set up trail cams in his local woodland, he went on ill-advised camping trips to unregulated areas, he had a truly awful vampire phase in high school and is rather glad he's not still friends with anyone who would remember it. He started carrying around a camera everywhere he went, just in case, deciding that his top goal should be to finally get a picture of one of the damn things. But one thing truly takes the cake for the lengths he's willing to go to get that shot:
After dropping out of high school and needing to support himself and his mum, he made up a lie about having a master's degree in parapsychology and applied to the Magnus Institute.
Working at the Magnus Institute had been a total dream for Martin for a few years at that point. The idea of being completely surrounded with resources, with proof of the supernatural was all he could ever ask for! Of course, he applied to other jobs as well, but he had all his hopes pinned on the institute. When he got the interview, he was practically vibrating with nerves the entire time. The whole thing was a bit weird, Elias is definitely a bit of a freak who learned what a smile is from a WikiHow guide, but he did get the job!
And ended up in the bloody library.
Sure, having very easy access to every book you could possibly want on supernatural creatures is great, but zero access to the research department is not great. It also doesn't help that there are actually very few books on cryptids, and most of his coworkers thought they were a load of rubbish.
All in all, Martin does what he can before simply returning to independent research (i.e. Reddit threads. Grim). That is, until he got moved to the archives.
It's all he could have ever asked for: two hundred years worth of statements and research packed away into a maze of shelves where no one can see him rummaging around and taking notes on the book he hides in his desk drawer. A boss who doesn't seem to mind, if downright encourages, employees staying late, even if he is a bit of a dickhead about it (a very handsome dickhead, but that's a matter for Martin to think about elsewhere). And two coworkers who are truly entertained by Martin's Origin Story and hand him files to read on werewolves in America, and vampire killers. He swears he was only a little disappointed to find out that vampires are not as sexy as they are, according to Anne Rice.
This is all to say, Martin is finally going on another proper Cryptid Hunt.
Now, Martin has never set foot in a proper research facility, but he thinks he's onto something. Statement after statement has been cropping up about a monster roaming London in the night, that speaks in static and has dozens of eyes. It's like nothing Martin has ever heard before. He's determined to find it. He's got his digital camera, he has a torch and plenty of backup batteries, he has a Polaroid camera, just in case cryptids don't capture well on digital—which he assumes they won't, if the statements won't even record without the tape recorder.
Speaking of tapes, he'll need to find some blank tapes to record anything important on. Not that he thinks a Polaroid wouldn't be enough proof, he just- he likes the Lo-fi charm, alright? It's—as much as Jon detests the word—spooky.
It's not his first rodeo borrowing (stealing) the odd item for one of his hunts, but this time he's more nervous. Jon has made it very clear that Martin is on thin ice, especially after letting a dog into the archives and it causing a mess on the floor. So, he tries his best to be very careful when he picks the lock to Jon's door and stuffs a couple tapes into his satchel. It's all going surprisingly swimmingly until he runs into Jon on the way out after getting his coat.
"Martin?" Jon calls as he spots him. "Did you see anyone going into my office?"
"Mm, no," Martin says, like a liar. He's always been good at lying. That's not great for his character, but it is great for him getting away with everything.
"Right, I must have forgotten to lock the door, then," he mumbles. Jon has his coat on and his bag over his shoulder, which is odd considering Martin doesn't think he's ever seen Jon leave on time. He shows up early and he leaves late; as far as Martin knows, he could bloody live down here.
"Are you heading out already?" Martin risks asking. It's not that he wants Jon to work himself to death, but could he maybe start his self improvement journey when Martin isn't trying to walk out with stolen Institute property?
"Yes, I have, uh—" Jon waves a hand as he thinks, "—plans. I have plans. Shall we head out together?"
The suggestion throws him off, as do many things Jon does. He has these odd moments of treating Martin no different from Tim and Sasha, then the next minute going back to calling him useless. Martin tries to cherish the few and far between acts of kindness Jon dishes out, but he tends to ruin it with his face going bright red and starting to stutter and fumble with what he wants to say. Then Jon will usually side-eye him and tut and the moment will be over and Martin has failed to woo his hot boss once again and—
"Martin?" Jon interrupts, head tilted and brow furrowed.
"Oh! Oh, uh, yeah, sure, let's- let's go!" Martin lets out a nervous chuckle and Jon sends him an odd side-eye, and tuts, and sets off towards the lift. Martin curses under his breath and follows.
It's a little awkward in the lift, tense in a way that Martin is sure Jon doesn't feel. He clears his throat quietly.
"So, what plans do you have?" he asks, hoping Jon didn't actually intend on walking side by side in silence to the front door.
"Hm?" Jon raises a brow at him, like he's said something truly outrageous, then his eyes widen a little. "Oh- nothing much, just- visiting a friend from my uni days. Anything planned for yourself?"
"Not much." Martin shrugs. "Hoping to have a nice night in, you know?" Jon hums and nods a little as the lift sings and opens to the ground floor. The chit chat is idle and dull as they make their way through the dwindling crowds filtering out of the Institute, and they share curt goodbyes as they part ways.
//
Martin triple checks his bag for maybe the millionth time: he has a camera, digital and analog, his phone, water, a few snacks, a torch, a loaded tape recorder and an extra cassette, and some basic first aid items. He has everything. It's time to set off.
The grass is dry and crunches beneath his feet as he makes his way into the woods. He tries to walk confidently, as if confidence is all he needs to warn off a thing that one statement said could most accurately be described as a fucking dragon. This is an impeccably stupid idea to begin with, so who cares if puffing his chest out makes him feel a little safer.
He ditches the path and wanders off into the trees, knowing how bad of an idea that is, and doing it anyway.
The light from the torch sends stark shadows streaking along the ground and up the trees, startling animals off in the distance, but no dragon. Martin knows it's not close because he can still hear the vague chitters of squirrels and insects. He walks slowly, carefully, because it's not going to be any help if he scares them off himself. He swallows as his nerves start to get to him. Maybe talking will take his mind off of it. He starts the tape recorder with a clunky click.
"Okay, erm... documentation of Martin Blackwood going Cryptid Hunting, because he's a bloody moron, tape one. I've found the area that a lot of these statements mentioned, it's a pretty popular walking trail, so hopefully this will come up with something."
A breeze sends a shiver down his spine as he checks all around him, pointing the thin beam of light through the spindly trees. His footsteps are light as he can manage, barely rustling the grass and fallen leaves. He doesn't see anything except a grey forest, illuminated by shitty LEDs, and he hasn't seen anything for the last twenty minutes.
"I'm starting to think this is a lost cause. I mean, it's getting late, and it's bloody freezing, I might just turn back." And he clicks the recorder off. The quiet in the absence of the whirring tape makes him feel even worse.
He tries to follow back the way he came. He winds through familiar enough looking trees and broken branches and rocks and logs. Then he walks past the same bunch of trees twice, and sees a log that he swears he saw ten minutes ago, and a small stream that he thinks he's already stepped over. In what feels like no time, it's been an hour and he hasn't found the trail. He quickly and quietly curses under his breath, panic starting to settle in at the fact that he's lost in a woods with frequent monster sightings.
"See, kids, this is why you follow the walking path," he mutters into the recorder. "Don't do what I do, for Christ's sake." He turns it back off, to preserve space on the tape, but it clicks back on by itself. With a shaky breath, he turns it back off. It turns on again. "Shit, don't tell me the recorder's broken..."
He holds the thing up to his face, trying to inspect the buttons for damage, but he doesn't know how tape recorders work so it's not revealing much.
A branch snaps somewhere behind him. Not a thing branch, or a twig, but a heavy, crunching snap, that sends the forest into silence. Nothing fills the air except Martin's quickened breathing and the whir of the tape. And possibly a short shriek from him, but that's unimportant.
Martin shines the light in every direction, hand shaking as he frantically searches the darkness for a presence. The tape recorder clicks itself off, then starts to play. His own voice comes out garbled and backwards through the tinny speakers of the recorder. It crackles and starts to fade into static. The thing shakes in his hands and he thinks maybe he should put the thing down, when something comes out of it, through the cacophony of static.
"Martin..."
The man in question freezes for only a second before he fumbles to pull his Polaroid camera out of his bag, not bothering with the digital. With the shrieking tape record tucked under his arm, he stands with his camera poised, listening out for movement. He hears a rustle on his left and whips around, taking a picture in that direction.
In the brief second that the flash lights up the trees, he sees it: an enormous, black creature with sickly green eyes covering every inch of its face, twisted horns reaching up into the branches and taloned feet reaching over the bushes. A mane of fur covers its back and neck, tapering down its chest. A tail audibly swishes behind it. And it was looking right at him.
The camera spits out a picture and Martin barely even notices. He takes off in a run.
The creature doesn't make any noise as it follows, doesn't roar or growl or anything, but Martin can hear it crashing against trees and clawing at the wood and ground. He can tell that it's bounding towards him. The recorder is practically screaming and it hurts his ears. He looks over his shoulder, and suddenly understands why three separate people called it a dragon. The thing has six legs and it's leaping from tree to tree like an awful overgrown squirrel.
In his terror, watching it grow closer and closer, Martin trips over a branch and goes flying to the ground. He rolls onto his back, scrambling to kick himself away as the creature closes in. He doesn't get very far as it slams a giant hand down on his chest and stomach. Martin screams bloody murder, kicking his legs in the hopes of hitting anything within reach, pushing at the leg and pulling at its fur.
Martin has always wanted to see another monster, but this is just a little too close for comfort. The thing stares at him with its too many eyes, and they each start to glow, starting from the centre at radiating outwards, the pupils thinning into tiny slits.
Martin feels pinned (in a more metaphorical sense than how he is very literally being pinned to the ground). He feels like he's getting an x-ray, like this monster has peeled him open and is stripping him bare. He's completely frozen under its oppressive gaze. He doesn't know how he's so sure, but he is filled with the inescapable dread that it now knows every last detail of his entire life.
He doesn't realise he hasn't been breathing until the feeling stops, and he gasps in deep, gulping breaths, tears falling down his temples. The static from the tape recorder—which had been abandoned to his left when he fell and had still been screeching—starts to quiet down, evening out into a steady white noise. The monster blinks all its eyes in unison, and the pupils have each grown rounder, filling out most of the eyes.
"Martin," the recorder says again. That voice- Martin knows that voice, where does he know that voice? "Martin...?"
"H-... hello?" he whimpers. He wonders if this is recording. "Are you... is that you? Speaking?"
"The tape," the monster says, glancing to the recorder. It—he?—sounds almost more confused than Martin. "It hears me."
The voice is deep and a little bewildered. Martin can't help but think it's the kind of voice you could find reading an audiobook. There's a curious aspect to it, a need to know more that is impossibly familiar. How the hell does he know his name?
He squints, no longer convinced that he's about to be gored or eaten. He swears he knows that voice, that posh, over exaggerated accent, the way it says Mahhhtin- wait, holy shit—
"Jon?!"
The monster- creature- thing– Jon looks back at Martin, shocked for a moment, then he hurriedly sits back. The six legs fold up surprisingly easily into a cat-like position.
"Martin, what the hell are you doing out here?" says the voice coming from the recorder. Says Jon. Martin's boss. He's having a bit of a time, okay?
"What am I doing? What are you doing?" Martin spits as he scrambles to sit up. "You mean to tell me you're a- a what? A dragon? A monster? A giant ferret that can only speak through a tape recorder? You don't even have a mouth!"
Jon stares, very unimpressed.
"What I mean is, it's very dangerous to be out here this late, especially off-trail." Jon chuffs as the recorder speaks. There's an odd purring rumbling from his chest. "I'm taking you back to your car. Come on."
"Oh, like you know the way," Martin grumbles, but still grabs the tape recorder and straightens out his bag, standing to follow.
"Like this, I know everything, Martin," Jon says, voice low and gravelly in a way that makes Martin's face go hot and red. Jon shuffles around and nudges him between his shoulders with his snout. "Now, let's get a move on."
Martin trudges alongside the giant dragon-Jon, who stoops his head down to seem closer to Martin's height, head tilted at an angle to lay his horns flat against his shoulders, instead of catching them on the branches. Part of him wants to try and make conversation. Part of him wants to forget this ever happened. A massive part of him wants to pet Jon's mane—it looks very soft and fluffy, and this close, he can see tufts of very dark green and dull grey amongst the black and he just really wants to sink a hand into it and—
"Yes, Martin, you can pet the mane," Jon sighs, rolling his eyes. Martin flushes from head to toe.
"How did you- what!" Martin squawks, and Jon laughs a little.
"You were thinking it very loudly at me," Jon explains. Martin stops in his tracks.
"Wh– you can read minds?"
"That's one way of putting it, I suppose."
"Well, don't read my mind, please."
"I can't exactly help it much." Jon rolls his eyes again and moves his neck within Martin's reach. "Go on, I suppose. If you still want to."
There's an odd look in Jon's eyes, looking almost expectantly at him. Hesitantly, Martin raises a hand, checking his face for signs that he was joking, and it doesn't seem so. Jon isn't the type to joke about that anyway, so he carefully reaches over and strokes the fur. It is soft. He carefully pets the fur down with the back of his hand, then sinks his hand a little further into the fluffy mass. At the firmer touch, Jon swings his neck to press into Martin's hand, so hard that he stumbles back.
The purring starts up again as Jon parks himself on the ground and leans heavily into Martin's arms. Martin laughs as he pets Jon's—again, his boss—chest and the back of his neck, wrapping arms around his as far as he can reach. The fur tickles his nose, and Jon rubs against him, all his eyes closing as the purr vibrates under his hands. His backmost leg starts kicking at the ground and a contended sigh comes from the recorder. Martin then laughs so loud in shock that he ruins the moment and Jon shakes him off.
He clears his throat. "Sorry, erm... let's continue."
Martin follows him through the woods with a smug little smile on his face. A question scratches at the back of his mind, but he isn't sure how to ask it without making things awkward. He figures, Jon will just, apparently, read his mind and find out anyway, so he might as well ask himself.
"So are you, like... fully in there?" he asks.
"What do you mean?"
"I mean, you're- you're conscious in this- form, I guess." Martin thinks for a moment. "Side question, is this like a werewolf thing?"
"Well, first, I suppose you could call it a werewolf thing, it happens every few weeks. And to answer your initial question, kind of?"
"So then why did you chase me down like you were going to kill and eat me?"
"I- I do apologise for scaring you," Jon starts, guiltily bowing his head. "Though, I will admit, it was my intention. I didn't recognise you. Or- I did, but it didn't register? Usually, like this, my brain is a lot more... simple. Straightforward, I suppose is a better way of putting it. Like my sentience takes the back seat to make room for something more- primal. Being able to speak through the tape recorder seems to put me back at the forefront."
Martin doesn't know what kind of answer he was expecting, but it wasn't that.
"So you've got some kind of... animal brain when you're—" Martin tries to find a delicate way to put it, and fails, "—this thing?" Okay, that was possibly the worst way he could have described it. He's totally blowing it with his hot monster boss.
"Sure," Jon huffs.
"That explains why you went all cat-ish when I pet you," he chuckles, and Jon pushes him with his head.
All in all, it's a rather pleasant walk back to his car, with the lumbering Jon next to him and his six legs thumping on the ground with each step. He's almost a little disappointed that it's over when he dumps his bag in the back seat and turns back to Jon with a quiet sigh. He has to tilt his head back all the way to look at his face. Sat back on his haunches, middle and front legs politely tucked in at his chest and stomach, combined with the long, slender horns, makes him easily ten feet tall.
(A far cry from his five-foot-five boss.)
"So," Martin says.
"So," the tape recorder says. Jon blinks his many eyes. "I'll see at work on Monday."
"Yup."
"Right. On you go, then." He swoops down and nudges Martin towards the car with his snout, then turns and heads back into the forest. Martin watches for a moment, then opens the door and collapses into the driver's seat. Jon looks back at him through the bushes. Even with the door closed, the recorder crackles out one last message: "Oh, and Martin?"
"Yeah?" He knows Jon Knows he's answered.
"Don't tell anyone about this."
And Jon disappears into the dark.
//
By the time Martin gets home, he realises that his picture is still in the woods, and it takes all his will power not to drive back and hope Jon is still roaming around and will help him find it. But, then again, Jon probably won't want loose evidence of him being a were-dragon-ferret-whatever.
In a slightly foul mood, Martin goes to sleep.
//
On Monday, Martin makes very awkward eye contact with Jon as he delivers his tea.
He tries to make small talk in the break room and fails miserably.
He gets no work done for the entire day. But, at five o'clock, after he's returned from washing the mugs, he finds a Polaroid of Jon on his desk, and a note.
The sticky note reads: 'Sorry for knocking you over. Still don't tell anyone.'
Martin keeps the Polaroid folded in his wallet. He doesn't tell a soul.